Aesthetic Concepts Research Articles

Brána do Dionýsova techno panství.

This study examines the phenomenon of rave culture in its epicentre, Berlin, and confronts it with the Czech scene, which I have focused on as an insider in previous dance-anthropological research. In writing this study, I applied Jan Mukařovský’s aesthetic concept of function, norm, and value to the collected data. Mukařovský’s concept provides a relevant framework for exploring the role of aesthetics in the broader sociocultural context of rave culture, particularly in the context of forming communal identity, value sharing, and reflection on sociocultural influences. The purpose of this paper is to understand how aesthetics and the knowledge of subcultural symbols, codes, skills, values, and ideas, which can be described as subcultural capital, serve to preserve the ethos of rave culture and to maintain important values, including the creation of safe spaces. The rave scene in Berlin differs significantly from the Czech scene in many ways. First, it differs in terms of door policy, dimension, intensity, and state support. Clubs in Berlin are run as cultural institutions that have a major influence on shaping the local cultural and social space.

Сүр жавхлангийн тухай Кантын ойлголтыг орчин үеийн гоо зүйн онолд холбогдуулан тайлбарлах нь

Interpreting Kant's Concept of the Sublime in Connection with Modern Aesthetic Theory Immanuel Kant is regarded as a prominent philosopher in defining the concept of the aesthetic sublime. The significance of the concept of the sublime in his Critique of the Power of Judgment lies in bridging the gulf between the spheres of nature and freedom. Through two distinct modes, the mathematical and dynamical sublime, Kant reveals how aesthetic experience transcends mere sensory perception. The mathematical sublime allows the imagination to seek the totality of the absolutely great, while the dynamical sublime reminds us of our capacity for practical reason that stands superior to nature. For Kant, sublimity does not reside in the object itself, but in our minds. As a pure aesthetic judgment, the judgment of the sublime is subjective universal, necessary, and grounded in disinterestedness and purposiveness. Although the concept of the sublime significantly influenced German Romanticists, it gradually ceased to be the primary concern of aesthetics. We argue that contemporary aesthetic concepts such as the atomic sublime, the avant-garde sublime, and the technological sublime draw their conceptual lineage from the Kantian understanding of the sublime.

Discussion on Landscape Sculpture in Environmental Art and Landscape Design

With the development of society and the continuous improvement of people's aesthetic concepts, environmental art and landscape design play an increasingly important role in urban planning and the construction of public spaces. Among them, landscape sculpture, as an important component of environmental art and landscape design, not only has aesthetic value but also functions in spatial shaping and cultural expression. This paper discusses landscape sculpture from its overview to its application in environmental art and landscape design.

Research on the Integrated Evaluation System of Mountain Highway Landscape Coordination Based on Three-Dimensional Linear

Harmonious coexistence between man and nature is an important principle for urban construction and development. At present, as people's demand for mountain expressways increases, the concepts of environmental protection, landscape aesthetics and traffic safety have gradually penetrated into highway construction and operation, and have been highly valued by all sectors of society. To comprehensively understand the coordination of mountain highway landscape, put forward effective improvement strategies according to specific problems, and construct a perfect comprehensive evaluation system of mountain highway landscape coordination, which can provide basic guarantee for local tourism construction and economic development.

Inheritance and Innovation of "Flower" Aesthetic Singing in Modern Context——Maintain a balance between adhering to traditional aesthetic concepts and adapting to the needs of the times

Flower, as a treasure of traditional Chinese music culture, carries profound historical heritage and unique regional characteristics. However, under the impact of multiculturalism in modern society, its aesthetic singing faces dual challenges of inheritance and innovation. This article delves into how to innovate while adhering to traditional aesthetic concepts and adapting to the needs of the times, in order to achieve a balance between tradition and modernity. Through literature analysis, field investigations, and case studies, the traditional essence of flower aesthetic singing was revealed, and innovative paths incorporating modern elements were proposed. Research has found that the integration of traditional singing techniques and modern singing styles is crucial. This study not only provides theoretical support for the inheritance and development of flower aesthetic singing, but also provides reference for the modernization transformation of other traditional music cultures.

The development of Chinese tourism poster in the period from the 1950s to the 2020s

Digitalization of art and the influence of digital technologies have transformed the art of creating Chinese posters, combining classic aesthetic techniques with the latest achievements in the field of media. This study dives into the analysis of the fusion of traditional elements of China’s poster art with modern digital methods, understanding the impact of digitalization on the evolution of design and visual presentation of information. The transformations that the art of the poster underwent are analyzed – from its role in socio-political processes to its current position, where ancient practices and modern innovations merge into a single whole. The field of design in the context of digital media art covers many areas and is reflected in various fields, especially in such as the creation of advertising materials, the formation of architectural space and industrial design, the development of multimedia products, design in the field of online media, as well as innovations in the field of displayed graphics and interfaces. Such creative action in the field of design is a process based on the use of computer technology for artistic creation. Artists and designers are required not only to form works of art with deep aesthetic qualities, but also to meet the growing needs of society in the field of beauty and the development of artistic and aesthetic concepts. The purpose of our research is to capture and analyze the process of merging the traditional art of the Chinese poster with modern digital media, through key aspects of the mutual influence of the latter, as well as to assess the values of integration for the development of contemporary art. Research methods include analysis of scientific literature and sources on the Chinese development of digital media arts, comparative and content analysis, visual content for the study of stylistics, technique.

Haptic Aesthetic Experiences of Drawing

Abstract This article aims to acknowledge the bodily complexity of the drawing experience by regarding bodily movement as a teaching modality. Theoretically and methodologically, the article explores the didactic potential of variation in relation to phenomenography, artistic practice, and the Feldenkrais Method of movement. Two interdisciplinary drawing workshops were held, combining drawing with Feldenkrais intraventions. The participants’ drawings were analyzed, with the assumption that changes in the bodily experience of drawing would be discernable in the lines on the paper. The results indicate that the Feldenkrais intraventions affected the bodily experience of drawing. Changes in the bodily experience were discerned and described in terms of proprioceptive presence, with reference to Jennifer Fisher's concept of haptic aesthetics. Two kinds of presence were brought to the fore: a presence defined as being present in the moment, and a presence defined as an increased sensibility towards three-dimensional volume and space. Both kinds are subtle qualities of bodily performativity that tend to go unnoticed in educational settings, in favor of visual or more explicitly performative bodily expressions. A relational epistemological approach is put forth as a way to acknowledge performative qualities of the drawing experience in teaching and learning.

Research on the Application of Chinese Painting Art in the Context of Digital Media Art

In contemporary design, digital media art has emerged as a prominent subject, largely due to advancements in science and technology, as well as the changing times. This form of art has had a significant impact on modern design, and with China's strong cultural identity, there is a growing trend toward localized aesthetics, which has breathed new life into the evolution of modern design. Traditional Chinese art form, Chinese painting is the epitome of Chinese visual aesthetics, and it encapsulates profound national aesthetic concepts. This research study aims to investigate the intrinsic relationship between digital media art and Chinese painting art by exploring the fundamental concepts and evolution of Chinese painting art. Using narrative research methodology, the study delves into the practical application of Chinese painting art in digital media art, with the goal of preserving and promoting China's rich traditional culture.

Современная китайская живопись се-и: философский и историко-культурный контекст

The objective of this research is to gain new knowledge about the changes in artistic language and terminology used to describe the philosophical concepts of Xieyi, as well as about the updating of texts and the system of representation of the basic philosophical and cultural principles, tenets, and contexts of traditional Xieyi. The ideological and philosophical basis of Xieyi painting is the philosophical and aesthetic principles of the Daoist concept of "art for art's sake". The article analyzes artistic receptions of ancient cultural traditions and types of artistic innovation. The philosophical and cultural significance of these innovations, which are considered as receptions of classical works in the early 21st century, is identified and described. The research of Hu Jingzhi ("Modern Chinese Aesthetics. Anthology", 1987) and Zhang Gong and Zhang Yueneng ("Modern Chinese Aesthetics and Traditional Aesthetic Concepts of China", 1991) is devoted to rethinking the ideas, principles, and categories of traditional Chinese philosophy and aesthetics. These works have made the philosophical heritage understandable and meaningful to contemporaries. The scientific novelty of the research lies in the fact that, for the first time, five aspects of interpreting changes in the philosophical foundation of Xieyi have been generalized and formulated, which represent an experience of updating the terminological apparatus and the system of representation of key ancient philosophical and cultural principles in modern contexts of traditional Xieyi. As a result, a complex of artistic, cultural, and historical contexts for the formation of the modern Xieyi style has been identified and described; the specifics of the reception of the historical and cultural heritage of traditional aesthetic principles and mental attitudes have been revealed; and the main directions and styles in the current state of Xieyi painting have been characterized.

Theorizing ‘Really Good Maps’: Cartography and Aesthetic Philosophy

ABSTRACT Aesthetics tends to be regarded as a ‘sore spot’ in cartographic theory. It is often seen by cartographers as both unscientific and hedonic, even though aesthetic commitments are central to mapmaking. A combination of recent advances in philosophical aesthetics concerning normativity and experience, along with aesthetic concepts such as value, properties, attention and experience, offer new possibilities for cartography to develop its aesthetic theory. These can reform and respond to iconoclastic aesthetic critiques of cartography and better articulate the value of disciplinary cartography for making ‘really good’ maps. This paper argues why a theory of cartographic aesthetics matters and explores some approaches for its development.

Nurses' Challenges in End-Of-Life Care: Aesthetic Expression of Lived Worlds.

When providing end-of-life care, nurses are faced with challenges related to the dying process. Aesthetic concepts exert a more profound influence than empirical evidence or logical reasoning. However, while the aesthetic aspect in end-of-life care demonstrates the inherent beauty of nursing, there are few manifestations of aesthetics to express the professional challenges in end-of-life care as experienced by nurses. This study aimed to investigate and elucidate the lived experiences of the professional challenges encountered by nurses in end-of-life care. A hermeneutic phenomenological qualitative study was employed. This study was conducted from September to December 2023 in China. The purposive sampling method was used to recruit ten registered hospice nurses engaged in end-of-life care in a hospital. Data collection involved 'Storytelling and Drawing Technique' followed by focus group discussion. van Manen's hermeneutic phenomenological approach was used in the data analysis. Essential themes were grouped based on existential themes of van Manen's four lived worlds, delineating: (1) Lived body: insufficient comprehension depth; (2) Lived space: unfavourable ambiance within the ward setting; (3) Lived time: negative impact of traditional culture; and (4) Lived human relations: intricacies inherent in decision-making dynamics. After understanding the challenges of nurses in end-of-life care reflected by aesthetic expressions, proactive steps can be taken to address these issues and thereby facilitate a positive transformation. The authors have adhered to Consolidated Criteria for Reporting Qualitative Research(COREQ) Standards. No patient or public contribution.

The influence of Brecht in Theodoros Angelopoulos's cinema: A case study of the film 'O Thiasos'"

Bertolt Brecht developed the theory of "Epic Theatre" as a response to Aristotle's "Dramatic Theatre." In contrast to catharsis and identification, Brecht advocated the concept of "alienation" (Verfremdungseffekt). Brecht profoundly influenced both the theater and cinema fields with a theatrical approach that did not aim for catharsis. Directors have utilized Brecht's aesthetic understanding to reflect the truth that what the audience is watching is a film, breaking away from purification and identification. Many directors have been influenced by Brecht's aesthetic theory, and one of them is Theodoros Angelopoulos. In his films, Angelopoulos combines concepts from Brecht's aesthetic theory with his own mise-en-scene. Like epic theater, the audience undergoes alienation, and the fact that what they are watching is a film is emphasized. Using epic narrative techniques, Angelopoulos aims to instill a critical perspective in the viewer. Long takes, monologues delivered directly to the camera, unsettling alienation effects, the foregrounding of individuals, and addressing societal events in the background are all reflective of Brecht's aesthetic influences in Angelopoulos' films. The purpose of this study is to define Bertolt Brecht's aesthetic theory and analyze Theodoros Angelopoulos's film " O Thiasos" within the framework of the concepts present in Brecht's aesthetic theory. The film O Thiasos is analyzed using the method of document analysis, one of the qualitative research methods, within the context of Brecht's aesthetic concepts.

Wagner's «Der Fliegende Hollander»: a colourful tale of dreams and wanderings

The relevance of the study. The study of R. Wagner's opera «Der Fliegende Hollander» from the standpoint of reflecting in it the genre features of the art fairy tale requires the use of those philosophical and aesthetic concepts in the context of which the artistic phenomena that form the research material in this scientific work matured. Achieving the aim of the study required relying on the doctrine of ‘transcendental philosophers’ about the «work of art of the future» as an example of a «new myth» reproduced in the form of an ‘encyclopaedia-chaos in the fragmentary form of arabesque’ [Рощенко, 2006], and on the theory of the art fairy tale set out in the Fragments by Novalis and F. Schlegel. The paradigmatic role was played by the genre features of Kunstmärchen in Wagner's opera Der Fliegende Hollander, one of the prototypes of which was W. Hauf's The Story of the Ghost Ship. Its influence on Wagner's musical drama is not limited to plot parallels, but is also observed at the level of a type of dramaturgy (fragmentary dream drama), the role of the frame principle in the «caravan» unification of stories about the fate of the cursed Captain, the influence of «Gothic novel». The discovery of the Kunstmärchen system of features has led to the expediency of genre definition of Wagner's opera as a colourful tale of dreams and wanderings. The rampage of «dark fantasy», which is overcome by the hero's final accession to the saving peace, allowed us to identify in Der Fliegende Hollander the signs of synthesis ofof such genre types as «horror opera» and «salvation opera». The interaction of these genre types allowed us to define «Der Fliegende Hollander» as an «opera of horrors and salvation». The main objective of the study is to identify the genre features of the artistic fairy tale in Richard Wagner's opera Der Fliegende Hollander based on the analysis of the philosophical and artistic context of German Romanticism. The methodology includes the principle of historicism; comparative analysis; analysis of intonation dramaturgy; encyclopaedic analysis (O. Roschenko, 2006), designed to establish the range of literary influences observed in the drama of Wagner's Der Fliegende Hollander as a colourful tale of dreams and wanderings. Results and conclusions. The definition of Kunstmärchen features in the dramaturgy of Wagner's «Der Fliegende Hollander», based on the key positions of the works of «transcendental philosophers» regarding the interpretation of the work of «art of the future» as a «new myth», has made it possible to define the genre of musical drama as a tale of dreams and wanderings with the features of a «Gothic novel», as a «opera of horror and salvation». It is revealed that the influence of W. Hauf's Kunstmärchen is not limited to plot parallels, but is observed at the level of the logic of the development of the action according to the type of «motley sheets», which ultimately form a special type of opera drama, defined as dream drama

Research on Architectural Aesthetic Concept in Zhanjiang Area

Architecture is an important part of human civilization, and the architectural aesthetic concept is the core and soul of architectural art. The architectural aesthetic concepts in different regions, different cultures and different historical backgrounds have different characteristics and styles, reflecting the unique charm and spiritual connotation of different regions, cultures and histories. Zhanjiang area is a place with a long history and profound cultural deposits. The formation and evolution of its architectural aesthetic concepts cannot be separated from the precipitation and accumulation of history. With the development of social economy and the acceleration of the urbanization process, the aesthetic concept of architecture in Zhanjiang area is also constantly updated, which has had a profound impact on the urban construction and cultural development in this area.

Study on calligraphy templates in ancient Chinese private schools

The historical and educational importance of calligraphy templates applied in ancient Chinese private schools, especially inside the context of cultural transmission and pedagogical practices. Calligraphy, a critical factor of Chinese education, performed a key role in shaping students' literacy, creative expression, and cultural identity. Study examines the evolution of calligraphy templates, which served as an essential tool in teaching proper writing techniques, stroke formation, and aesthetic concepts. By analyzing diverse historical periods, which encompass the Tang and Song Dynasties , that highlight how those templates, often based on the works of skilled calligraphers, guided students in studying exceptional scripts. historical documents and educational sources were examined to recognize how the templates facilitated learning and their evolution over time. This similarly explores how present-day training frameworks can integrate those conventional templates with innovative teaching strategies, making the continuing relevance and cultural maintenance of Chinese calligraphy inside the globalized instructional landscape. The method of traditional calligraphy templates in modern-day Chinese calligraphy training explores how those ancient tools had been incorporated into cutting-edge teaching practices and their persistent relevance in keeping cultural heritage and advancing artistic innovation. It concludes with practical advice for calligraphy teachers, advocating for the continuing use of traditional templates along with progressive techniques to bridge the gap between ancient calligraphy practices and contemporary educational requirements.

Implementasi Customer Development Model dalam Pengembangan Produk Baru Bisnis Kuliner: Studi pada Pantaco Bites

This research aims to apply the Customer Development Model (CDM) in the development of new products for the culinary business Pantaco Bites, which offers pancake tacos with a healthy, practical, and aesthetic concept. The research uses a mixed methods approach, which includes a quantitative approach through Likert scale surveys and the Customer Satisfaction Index (CSI), as well as a qualitative approach through observation and in-depth interviews. Data were collected through four stages of the CDM: customer discovery, customer validation, business creation, and company building. Target customers were selected through purposive sampling. The research results indicate that CDM is effective in identifying customer needs, verifying products through direct feedback, and creating added value that aligns with the target market's lifestyle. The CSI results show a high level of customer satisfaction, with customers appreciating the quality, practicality, and aesthetics of the products. These results emphasize the importance of combining quantitative and qualitative analysis to understand market preferences and evaluate the business strategies being used. In short, the implementation of CDM provides businesses with a competitive advantage by enabling more focused product development that aligns with customer needs. To enhance competitiveness in the culinary industry, this research suggests optimizing digital marketing strategies, educating consumers about product benefits, and applying CDM to other market segments.

Lontas: The aesthetic concept of mortar music of farmer community in Turi Village, Indonesia

Lontas: The aesthetic concept of mortar music of farmer community in Turi Village, Indonesia

Exploring the Similarities, Differences and Integration of Eastern and Western Aesthetics

Against the backdrop of accelerating globalization, it is of great significance to conduct in - depth research on the similarities, differences, and integration of Eastern and Western aesthetics. This paper traces back the development histories of Eastern and Western aesthetics. Western aesthetics originated from ancient Greece and Rome and has shown a diversified trend after going through the Middle Ages, the Renaissance, the Enlightenment, and into the modern era. Eastern aesthetics is represented by China and Japan. Chinese aesthetics originated in the pre - Qin period and has developed through various dynasties, while Japanese aesthetics is influenced by Chinese culture but also has its own characteristics. The paper deeply analyzes the characteristics of both. Western aesthetics emphasizes rationality and logic, focuses on individual and self - expression, and aims at imitating and reproducing reality. Eastern aesthetics advocates nature and harmony, attaches importance to artistic conception and implicit expression, and emphasizes morality and humanistic spirit. It also compares the differences in aesthetic concepts and artistic expression forms, and explores the different manifestations in the fields of painting, architecture, and literature. By analyzing cases such as the paintings of Li Fangfang, the Western - style gates in the Western Mansions area of the Old Summer Palace, and the fashion designs of Ye Kaiwei, the paper analyzes the integration phenomenon. It points out that this integration brings vitality to artistic creation, promotes cultural exchange, and improves the quality of modern social life. In the future, Eastern and Western aesthetics are expected to further integrate and innovate, promoting the development of human culture.

The Aesthete as a Failed Religious Man: Notes on the Aesthetic Conception of Existence in <i>Either/Or</i>, Part I by Søren Kierkegaard

The Aesthete as a Failed Religious Man: Notes on the Aesthetic Conception of Existence in <i>Either/Or</i>, Part I by Søren Kierkegaard

Aesthetic Standards and Body Anxiety: Womens Self-perception in the Internet Age

With the rapid development of the Internet, people can acquire not only academic knowledge but also life skills such as makeup and photography. However, while providing rich resources, the Internet also has potential negative impacts on mental health. Particularly, in the context of the prevalence of a single aesthetic standard, such as "white, thin, and young." Adolescents, especially women, are easily influenced by unhealthy aesthetic concepts, which may lead to psychological problems like dieting behavior and body anxiety. This paper explores the causes of body anxiety from economic and sociocultural perspectives and analyzes the role of women's self-awareness awakening in shaping body cognition. By studying Internet aesthetic culture and its impact on adolescent groups, it is found that modern consumerism and the "perfect body" phenomenon promoted by online platforms have intensified the pursuit of ideal bodies, thus leading to body anxiety problems, which are particularly significant in female groups. However, as women's self-awareness gradually awakens, more and more women have begun to reflect on traditional body standards and advocate body diversity and self-identity. This study has important practical significance. Through an in-depth analysis of the causes of body anxiety, it aims to draw societys attention to the spread of bad aesthetic concepts, provide theoretical support for formulating relevant intervention policies and guiding measures, and promote the formation of a healthier aesthetic culture and social environment.