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Reading Jane Campion’s The Power of the Dog with Deutsch, Nietzsche and Nijinsky

ABSTRACT In this article I argue that Jane Campion’s film The Power of the Dog (2021), can be read through Nietzsche’s The Birth of Tragedy (1967); and that Campion’s films more generally can be viewed insightfully in a Nietzschean frame. Campion’s films are often concerned with ancient mythic themes and forces that continue to find expression in later times and places. I argue that Campion is also a feminist filmmaker who questions Hollywood narrative cinema from a subject position of difference, from within its genres but re-writing and re-valuing the values of its ‘plots’ (Gillett, Sue. 2004. Views From Beyond the Mirror: The Films of Jane Campion. The Moving Image 7. Australia: Australian Teachers of Media, Australian Film Institute and Deakin University). Campion explores abiding psycho-social phenomena and needs – here, masculinity, men’s relations with ‘mother’ – by drawing on mythological figures in service to the present in original ways and as a female director. I draw on Hélène Deutsch’s (1969. A Psychoanalytic Study of The Myth of Dionysus and Apollo: Two Variants of the Son-Mother Relationship. The Freud Anniversary Lecture Series, The New York Psychoanalytic Institute. New York: International Universities Press Inc.) analysis and discussion of Apollonian and Dionysian mythologies in support of this argument.

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Mothers’ Agency and Responsibility in the Australian Bushfires: A Feminist New Materialist Account

ABSTRACT This article employs new materialist theory to the accounts of women who were pregnant, giving birth or parenting new-borns during the Australian bushfires of 2019/2020. As feminist scholars we are concerned with the inequitable responsibility accorded to women during this time to limit their (un)born children’s exposure to smoke. Drawing on Barad’s (2007) relational ontology we trace how (non)human phenomena like ‘smoke’, ‘public health advice’ and discourses of ‘the good mother’ work intra-actively to establish conditions of possibility in relation to mother’s agency and responsibility in this crisis. Via in-depth interviews with 25 women, we discovered these coagulating forces meant many experienced feelings of ‘powerlessness’ and subsequent ‘guilt’ at their inability to prevent smoke inhalation for their (un)born children. To challenge this burden of responsibility, we (re)configure conventional notions of ‘agency’ and ‘responsibility’ within a new materialist frame. When agency is understood as an intra-active becoming and response-ability as preceding the subject, responsibility for the air shifts to a recognition that everyone/thing is complicit in the world’s differential becoming. We extend this thinking to consider human response-ability and agency in relation to the climate change that has been attributed to causing the fires.

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Mapping Relational Intensities and Care in the COVID-19 Pandemic Home: Understanding Carers’ Practices Through Cultural Probes

ABSTRACT This article explores the complex emotional geography of contemporary domestic spaces and invisible forms of care during periods of working and caring from home (WCFH) during the COVID-19 pandemic. During the pandemic lockdowns and restrictions carers and creatives were disproportionally impacted. In June 2020 we developed an open call for creative responses under the title of ‘Work, Care and Creativity Study (WCCS): value and visibility’. Our study sought to explore the lived experiences of creatives working at a university who were also carers WCFH and to capture the complexity of care responsibilities, their affects and effects on wellbeing, mental health and career disruptions. Through cultural probes our study sought to render visible some of the overlooked emotions, perceptions and practices that were emerging for carers during the pandemic. We were interested in how playful approaches to cultural probes could invite creative workers and carers to ‘map’ the materialities of the home as a way of expressing the relational, emotional, and material entanglements of WCFH. Our research illustrates the value of creative prompt techniques for articulating the constant (re)negotiation of the relational intensities and compressions of work, care and creativity at a time of COVID-19.

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