Abstract
IN FOUR OF HIS PLAYS, On Baile's Strand, The Hour-Glass, The Shadowy Waters, and The King’s Threshold, Yeats mingled verse and prose. In so doing he was contravening current opinion as well as the judgement of a very eminent authority: […] So far as I know this matter has not been discussed in any detail in relation to Yeats, except by Dr. Denis Donoghue in his chapter on Yeats in The Third Voice (1959). It may, like other questions concerning Yeats's plays, be worth looking at again, though I am of course indebted to Donoghue's treatment of the subject.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
