Abstract

The aim of this study is to contextualize the fragments of the The Wonders beyond Thule in the set of lost Greek novels that have come to us in papyri paying special attention to the treatment of hiatus. The literary ambitions of Callirrhoe, Ninus, Parthenope, and The wonders beyond are similar and their ‘implicit readers’ would have belonged to the educated elite known by the term of pepaideumenoi and pepaideumenai. Other conclusion is that hiatus is a license that depends on the style of the author, but it can sometimes be attributed to an error by the scribe or a decision of the modern editor.
 The study includes value information about novel fragments since 1998 (edition by López-Martínez) and a hypothesis regarding archaeological materials (papyri and inscriptions) found in a Hellenistic city on the Banks of the Oxus River in Afghanistan, Ai Khanoum, which offer us tantalizing paralells for the fictional mise en scène of Diogenes’ novel.

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