Abstract
This article seeks to bridge the hitherto disconnected studies of the “woman question” and “religious question” in the twentieth-century Chinese revolution. It focuses on the issues of women’s liberation and anti-superstition in Communist propaganda through Xiao Erhei jiehun (Young Blackie gets married), a popular novel by the Communist writer Zhao Shuli (1906-70) published in 1943, and examines its impact in comparative context in wartime Communist base areas. Drawing on the religious culture of the author’s native southern Shanxi, this revolutionary classic promoted freedom of marriage through attacking “feudal superstition.” The article compares wartime religious and revolutionary culture in Zhao’s rural Shanxi with the CCP’s cultural and political agendas in its headquarters of Yan’an. Despite its immense success, the novel’s original messages of women’s liberation and anti-superstition gradually became marginal in the early PRC years – both discourses gave way to the party-state’s higher ideological goal of class struggle, and were subsumed into the metanarrative celebrating the absolute leadership of the Communist Party and Mao Zedong.
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