Abstract
The announcement of the death of the British polar explorer Captain Robert Scott on his return from the South Pole, which he had reached on 17 January 1912, caused a sensation in Britain and around the world. Although he lost the race to the South Pole to a Norwegian party led by Roald Amundsen, the recent centenary of Scott’s last expedition aroused widespread interest not only in Britain but around the world. This paper examines why the British public continues to consume Scott’s story, with particular reference to the period since 1945. Part one examines how Scott’s story has been adapted to the cultural context of post-imperial Britain, in part by emphasising the scientific aims of his last expedition. Part two moves on to emphasise how this new emphasis was supported by the Royal Geographical Society and the Scott Polar Research Institute, and drew on the extensive material culture and striking visual record left by the Terra Nova expedition.
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