Abstract
In the 2000s Keren Cytter created two films based on short stories by Julio Cortazár: 'Continuity' and 'Les Ruissellements du Diable'. This article considers Cytter’s engagement with Cortazár’s writing as a way to broaden the understanding of narrative in her work. For the artist, narrative is a significant tool that, alongside her chosen means of image-making and editing, actively sustains spaces of mystery and storytelling.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
