Abstract
Anglo-American codes are examined to determine the implicit or acting concept of work in each, in order to trace the development of our current implicit concept of work, as embodied in AACR2R. The following conditions are examined, using comparison tables: (1) contraction of a work (abridgements, condensations, digests, epitomes, outlines, chrestomathies, excerpts, extracts, selections); and (2) change in substance of a work (adaptations, dramatizations, free translations, novelizations, paraphrases, versifications, films or filmstrips of a text, musical arrangements, musical amplifications, musical settings, musical simplifications, musical transcriptions, musical versions, parodies, imitations, performances, reproductions of art works, revisions, editing, enlargements, expansion, updating, translation).
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