What Is a Portrait? A Functionalist Account

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Abstract The iconic portrait has been the subject of recent attempts at definition by aestheticians. Despite their respective merits, however, I believe that the proposed definitions are not only unnecessarily sophisticated, but also have the defect of not sufficiently connecting the theory of portraiture to the theory of depiction. I will propose a functionalist definition according to which portraits are singular iconic representations that are distinguished by the principal function that their makers have assigned them: to enable their viewers to think something about the represented subjects by considering the way in which they are depicted. This definition has the virtue that recent proposals lack: by making the condition of being a singular representation a necessary condition for being a portrait, it makes explicit how the theory of portraiture is connected to the theory of depiction at its very core. In so doing, it places itself firmly within a framework initiated in the theory of depiction by Antonia Phillips and Dominic Lopes.

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  • 10.1007/s10670-016-9808-8
The Combination Problem: Subjects and Unity
  • Apr 7, 2016
  • Erkenntnis
  • Kevin Morris

Panpsychism has often been motivated on the grounds that any attempt to account for experience and consciousness in organisms in purely physical, nonexperiential terms faces severe difficulties. The “combination problem” charges that attributing phenomenal properties to the basic constituents of organisms (“microphenomenal” properties), as panpsychism proposes, likewise fails to provide a satisfactory basis for experience in humans and other organisms. This paper evaluates a recent attempt to understand, and solve, the combination problem. This approach, due to Sam Coleman, is premised on a distinction between mere aggregates and genuine unities, and the purported inability of subjects to constitute a unity. In response, I first argue that it may not be incumbent upon the panpsychist to explain how microphenomenal properties could constitute a unity in the way that Coleman supposes. I then argue that even if such a burden does fall on the panpsychist, it is far from clear that a plurality subjects cannot constitute such a unity. Finally, I argue that if one adopts a functionalist account of macrosubjects, as Coleman does, there is little reason to think that a plurality of subjects could not constitute a macrosubject. In these ways, I argue that the force of the combination problem does not turn on whether microphenomenal properties require minds or subjects that have them.

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