Abstract
Starting with objectively laconic questions I would like to focus for a moment on the Humanities and encourage to some reflection. For some time researchers have been increasingly interested in entrepreneurship and the commercialisation of research. This phenomenon is discussed in the popular media, but also, perhaps especially, in the universities. The result is various training courses, workshops and conferences aimed at improving university-business collaboration. These have also produced reports and strategies outlining development opportunities. Young researchers (but not only) are encouraged to conduct innovative and modern research that will answer real market needs. And all this work is said to be very important for the development of the country–especially its competitiveness. While it is impossible to disagree with the desire for national improvement, this emphasis on commercialisation does immediately raise a question about where the Humanities fit in. How can they participate into this approach? In which direction should they develop? Can the development of Digital Humanities and media literacy make a difference in a field that is otherwise in danger of being seen as irrelevant to contemporary trends?
Highlights
Runiversalis, data base, homo faber, technology, biomedia. etoryka i poetyka opowieści o cyfrowym zwrocie jest jedną z wielu rewolucyjnych narracji, które przetoczyły się przez humanistykę na przestrzeni ostatnich kilku dziesięciu lat
Summary: Digital turn is phenomenon which connect new technology and humanities research. This situation has changed in some degree division between hard science and humanities research accordance with idea of third culture
Summary: In my article I focus on digital humanities from the perspective provided by the criticism of some of its most popular principles, expressed within the perspective of fundamental values and epistemological base of humanities in mind
Summary
Treść publikacji (z wyłączeniem materiałów wizualnych, które zostały wykorzystane przez autorów jako przykłady i wizualizacje w celach badawczo-naukowych) udostępniana jest bezpłatnie na licencji. Creative Commons Uznanie autorstwa – Na tych samych warunkach 3.0 Unported. Zezwala się na dowolne wykorzystanie treści pod warun kiem wskazania autorów jako właścicieli praw do tekstów oraz zastosowania niniejszej licencji przy rozpowszechnianiu utworów zależnych. Tekst licencji z przystępnym podsumowaniem informującym o prawach użytkownika niniejszej publikacji dostępny jest na stronie http://creativecommons.org/licenses/by-sa/3.0/deed.pl
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