Abstract
The Wedgwoodian heritage of Stoke-on-Trent’s pottery industry is examined from the perspective of an ‘outsider’ and through the double-lens of glaze chemistry and poetics. These glazes, in their acrobatic language and hieroglyphic formulae, formulate a new perception of Stoke. New expressions and perspectives are described that emerge free of a mythologized past and interrupt the narrative of this creative heritage. The poems are as much about demythologized approaches to heritage as they are about identification with a foreign place; a re-psychogeography.
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