‘Waiting for the Barbarians’: constructing the visible invisibility of Australia’s ‘boat people’

Abstract

ABSTRACT The image of the barbarian at the border has long captured the imagination of ‘civilized’ communities. Drawing on C P Cavafy’s 1904 poem, Waiting for the Barbarians, and J M Coetzee’s 1980 novel of the same name, this article explores the Australian polity’s responses to the arrival of ‘boat people’, who embody the ‘barbarian Other’ in the Australian psyche. Examining the response to unauthorised boat arrivals on Australian Federal Election day in 2022, it situates those events as part of Australia’s performance of Waiting for the Barbarians. It then examines how ‘visible invisibility’ of ‘boat people’ is constructed visually, juridically and geographically. It considers how the cultivation of fear, hostility, and forgetting enable the visible invisibility so constructed. Finally, it turns to the possibilities of resistance to the construction and devastating human effects of visible invisibility. To do this, it looks to those who are ‘visibly invisible’ for inspiration, exploring how documentary, literature, art, music, and artificial intelligence can be harnessed as powerful forms of non-violent resistance. As Cavafy and Coetzee do, the article serves as a reminder that the barbarian is within us as it ponders the possibility of ‘boat people’ offering ‘us’ a different kind of solution.