Abstract
The artist Kazimir Malevich once called Vladimir Maiakovskii's lyric “Iz ulitsy v ulitsu” the best example of “versified cubism.“ Although Maiakovskii's early poetry has often been linked to developments in the pictorial arts, the precise nature of this connection requires more detailed examination. Investigation of the role of the visual arts in a literary interpretation appears exceptionally intriguing considering that Malevich, both a contemporary of Maiakovskii and a painter of high caliber, paid special tribute to this poem in painterly terms.
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