Abstract
The article is devoted to the image of democracy in US cinematography through the theme of Vietnam war. Special attention is paid to the phases of the image development proposed by Jean Baudrillard. The author made the conclusion that the image of democracy in American cinema offers a distorted model of US intervention, in which the images of the aggressor and the victims replace each other, as well as the concept of democracy, which does not allow the fact of lawlessness and violation of the rights of citizens of any nationality or country.
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