Abstract
It aims to analyze the religiosity and the idea of salvation present in Kingdom Come by Mark Waid (writer) and Alex Ross (artist). For this purpose, the cartographic-critical method developed by researcher Iuri Andreás Reblin will be employed. It analyzes the cited story based on other articles on the subject, especially those focusing on the relationship between the comic book with the biblical text of the Apocalypse of John, and based on relevant theological concepts such as salvation and redemption to identify how they are present in the graphic novel.
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