Abstract
Considering two very different novels, Fortuny by Pere Gimferrer and La isla inaudita by Eduardo Mendoza, which indicated a clear recovery of Venice as a narrative space in the 1980s, this essay proposes to contextualise this renewed interest in Spanish Peninsular literature, including, due to his direct relationship with Pere Gimferrer, also some examples from Spanish-American literature and Italian cinema.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
