Abstract
In this essay I discuss how a familiar costume element in Javanese court dance, a long piece of patterned cloth known as the sampur , functions poetically through the ways it is used by the dancer. I elaborate on eight categories of use of the sampur , primarily from the point of view of a Western dancer first encountering the techniques of working with the scarf. I draw on scholars and other commentators to discuss the many dimensions of meaning embodied by these uses. The sampur emerges as a dance element rich in virtuosic potential and nuance, and resonant with numerous dimensions of cultural values.
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