Abstract
ABSTRACT This paper proffers a reading of Chimamanda Ngozi Adichie’s Americanah as a Bildungsroman that represents a moment of a daughter’s “undutifulness” to domesticating national patriarchies and cultures, textual and epistemic genealogies. In this regard, I posit Adichie’s twining of national romances and a heterosexual romantic love that travels and returns as a framework for examining gendered experiencing and relations to the “home.” The article considers the text’s representation of migration and return not simply as moments of re-domestication and formulaic reunification but as incidents that enunciate expanded relationalities to the nation and reconfigure domestic intimacies in a manner that radically unsettles “home.” Americanah is read alongside Sefi Atta’s Everything Good Will Come in an attempt to show how the development of the protagonists’ interpersonal romances goes together with a studied engagement with the national space and communities in ways that inscribe women’s labours of love, care and intellect into the public domain and charts transformative possibilities of being in the world and inhabiting home. Ultimately, Adichie and Atta’s texts demonstrate alertness to celebrations of transnational black femininities, its vulnerabilities and bonds that transcend the limited “ethical” commitments delineated by the horizons of gendered roles and the national home.
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