Uncanny Times: The Case of Eugene de Kock

Abstract

ABSTRACT This article focuses specifically on post-apartheid representations of Eugene de Kock, who is seen as one of the bookends to the first, more optimistic, phase of South Africa’s post-apartheid moment. The other bookend, also discussed briefly here, is Nelson Mandela, the country’s first democratically elected president. De Kock was a notorious apartheid-era assassin and commanding officer of Vlakplaas, infamously associated with the extra-judicial torture and execution of anti-apartheid freedom fighters in the 1980s. I isolate this time-frame, from Mandela to de Kock, to comment specifically on what can be seen as a distortion of temporality in South African public life – a kind of disjuncture between time and history, to use David Scott’s formulation (2). I argue that this distortion is characteristic of the post-revolutionary present, not only in South Africa, but in many other parts of the world where a struggle for freedom terminates in a neoliberal order. The figure of the prison is central to this discussion: indeed, the prison is understood as one of the privileged sites where meaning is made and contested in the imagination of a national identity. Also central to this discussion is Pumla Gobodo-Madikizela’s remarkably prescient 2003 book about her encounters with de Kock in the ‘C-Max’ section of Pretoria Central prison, A Human Being Died That Night.