Traumatic Continuities: Interlocking Violences in Nelly Rosario’sSong of the Water Saints(2002)

Abstract

AbstractThis article examines the construction of a multifaceted collective memory through the main female protagonists inSong of the Water Saints(2002) by the Dominican American author Nelly Rosario. By bridging memory studies, Latin American studies, and Afro-Latinx studies, the book examines racial and gendered constructs, intergenerational struggles, US imperialism, and Rafael Trujillo’s dictatorship to show the interconnected nature of memorial articulations for subaltern subjects. Through a literary close reading, this article dissects the lives of three generations of female characters—Graciela, her daughter Mercedes, and Graciela’s great-granddaughter Leila—and how they challenge, reinforce, and suffer racialized, political, and gendered subjectivities. By examining intersectional and historical trauma simultaneously, this study contributes to the field of memory, Afro-Latinx, and Latin American studies by showing the muddled construct of memory for Dominicans and Dominican Americans.