Abstract
With its tension of wildness and self-control, secret teachings, and physical rigor, Tsurigitsune (The Fox and the Trapper) is the most challenging of the kyÅgen actors' "roles of passage." This analysis of the play's importance in the training of the young actor is followed by an interview with Maruishi Yasushi, a professional from outside the kyÅgen tradition, who premiered the play at a late age, discovering its difï¬culties and rewards.
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