Abstract
Since the beginning of the twenty-first century, African literature has witnessed a significant shift from its attention from peculiar national cultures, discrete experiences and traditional practices to more global paradigms. The global or transnational approach to literary studies weakens the writers’ roles as committed vanguards of their indigenous cultures and reconfigures their works to accommodate exponential global issues and postmodern characters. Due to the newness of this transnational turn in African literary enterprise, scholars still grapple with its tenets and application. Therefore, the aim of this paper is to engage archetypal, borderless or transnational plays in the demonstration of the methods some postcolonial writers have applied in the demolition of geographical and historical boundaries especially via appropriations. Its significance lies in its ability to open up new perspectives to the study of Shakespeare’s The Tempest and Irobi’s Sycorax which will aid the understanding of the features of globalization in African literature. The paper is qualitative in approach and is based on Homi Bhabha’s strand of the postcolonial theory. Seen in the light of the above, the paper concludes that African literature is advancing speedily, like its European counterpart, in the exploration of the peculiarities of (a) global capital. Keywords: Transnationalism, African literature, global character, postcolonial theory, The Tempest , Syorax , DOI: 10.7176/JLLL/65-05 Publication date: February 29 th 2020
Highlights
Transnationalism implies the idea of extending or operating across national boundaries
The allure of Sycorax rests on its engagement with issues that go beyond his national boundaries/concerns, and those that transcend the boundaries of age and space as the 21st century Nigerian-authored play deals with issues associated with the Renaissance and Elizabethan England and with William Shakespeare and his last comic drama, The Tempest
Transnationalism in African literature just as elsewhere, Jay (2010) would want us to know, “...has productively complicated the nationalist paradigm long dominant in these fields, transformed the nature of the locations we study, and focused our attention on forms of cultural production that take place in the liminal spaces between real and imagined borders” (p. 1)
Summary
Transnationalism implies the idea of extending or operating across national boundaries. It finds expression in literature when writers engage their works with issues of international significance. Transnational literature boasts subjects that transcend the burning issues within the nationalities of their authors and rather focus on issues of global or, at least, international importance; or concerns that connect nationalities. The allure of Sycorax rests on its engagement with issues that go beyond his national boundaries/concerns, and those that transcend the boundaries of age and space as the 21st century Nigerian-authored play deals with issues associated with the Renaissance and Elizabethan England and with William Shakespeare and his last comic drama, The Tempest. Clark Bekederemo (1970) refers to as “...master in and out of the trade” (Blurb, The Example of Shakespeare) for some kind of inspiration and obviously in the bid to lunch himself and his dramatic output on the global stage
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