Transnational perspectives in Simon J. Ortiz’s short fiction

Abstract

Abstract Contemporary American short stories from Simon J. Ortiz’s Men of the Moon (1999) can be considered a testing ground for conceptualizations of (trans)-national identities from Randolph Bourne’s ‘Transnational America’ (1916) to David Hollinger’s Postethnic America (1995). In these stories the aesthetic concretization of contingent experiences by Native Americans both confirms and critiques the theoretical concepts of postcolonial studies and transnational American Studies. Both Ortiz’s ‘The Way You See Horses’ and ‘Crossing’ unfold the relativity and observer-dependence of individual perception as well as the epistemological awareness and cultural dialectics of Julia Kristeva’s Strangers to Themselves (1991). Actual intercultural and transnational encounters in Ortiz’s stories often spell disaster much more radically than promise. Only three of the stories in Ortiz’s collection, ‘Pennstuwehniyaahtse: Quuti’s Story’, ‘Hiding West of Here’ and ‘To Change Life in a Good Way’, suggest interethnic solidarity. These stories help develop a humanism which expresses itself in the dissociation of foreignness and familiarity in postcolonial and transnational contexts. Ortiz’s short fiction thus functions as a liminal third space which exposes both the fragmentation and potential of time-honoured Native American spiritual convictions. That such spiritualism has partially sunk into oblivion does not spell irrelevance and obsolescence. Paradoxically it turns into the precondition of mutual rapprochements of cultural difference and both intercultural and transnational acceptance. What renders Ortiz’s reassertion of Native American spiritualism humanist is the caution and tolerant awareness of the other that accompanies it.