Abstract
The article discusses two productions, respectively of Julius Caesar and Macbeth, by the experimental Italian theatre company Socìetas Raffaello Sanzio (SRS). My wider scope is a reflection on what I may call the ‘peregrinations’ of the sense of the tragic in our times; my more specific question is: How is the Shakespearean tragic envisioned by SRS? What does their ‘performative thinking’ reveal about tragedy and our sense of the tragic today? As the performances are in Italian, based on Italian translations of Shakespeare, the question of the different language will also be briefly considered, to listen to the ‘ear of the other’ in critical action.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Cahiers Élisabéthains: A Journal of English Renaissance Studies
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
