Abstract

本文立足马克思经典著作《1844 年经济学哲学手稿》和《共产党宣言》等，展开对马克思主义美学基本内容的探讨。与此同时，按照“解构”“建构”与“重构”的研究范式，从阿瑟·丹托的“艺术终结论”出发，讨论后现代艺术对中国艺术的冲击及其带来的变化，特别是反映在中国书法艺术身上的“终结”危机与“复古”延续。在“终结”危机与“复古”延续的矛盾背景下，用马克思主义美学的基本理论考察中国书法艺术，进而对其基本内容和发展路径有更为清晰的把握。

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