Abstract
This article pairs the worst of the biblical marriage metaphor texts, Ezekiel 16, with a feminist film about sexual violence, Promising Young Woman (2020). Strikingly, the God of Ezekiel 16 acts in ways that closely resemble the would-be rapists and “good guys” of Promising Young Woman. Furthermore, the portraits of female revenge in Promising Young Woman and Ana Lily Amirpour's A Girl Walks Home Alone at Night (2014) suggest new ways of reading the seemingly monolithic gender violence of text.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
