The Vexed Man: Oliver Cromwell and the English Reformation and Civil War on Screen

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Abstract This chapter discusses the film Cromwell (1970) and addresses the difficulties that writer-director Ken Hughes faced bringing the highly controversial Puritan figure Sir Oliver Cromwell (1599–1658) to British and American screens amid the Cold War and the countercultural ferment of the late 1960s. It explores the different interpretations that Cromwell’s actions have solicited: liberal, conservative, authoritarian, and Marxist-revolutionary. For Hughes, Cromwell is neither a conniving hypocrite, a dictatorial tyrant, a religious zealot, or a proto-Marxist revolutionary, but rather a psychologically contradictory modern man—a vexed man—with religiously garbed secular goals who sought to replace a bygone era of the divine right of kings with a modern parliamentary-led constitutional monarchy. He portrays him as a relatively progressive, modern, and forward-looking political reformer and champion of Western-style democratic values. Cromwell emerges as a fascinating record of Hughes’s attempt to wrestle the various facets of Cromwell into a coherent vision about the man and his legacy and how his story (perhaps unwittingly) might provide social commentary and a road map on how to navigate current social problems of the 1960s and 70s via the Troubles in Northern Ireland, the British Empire and colonialism, countercultural movements, growing racial-ethnic and religious divisions, and secularism.

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