Abstract
The highly developed Georgian form of vassality _ patronkmoba was reflected in the medieval Georgian secular monuments and the „The Knight in the Panther’s Skin“ in the form of a humane, well-developed vassal institution with the mutual obligations and friendly attitude between the patron and the vassal. Yet „The Knight in the Panther’s Skin's“ Christian love and a sense of a world based on Rustaveli's love is a new stage in humanism and another additional condition for a new understanding of „The Knight in the Panther’s Skin's“ vassality, taking him to a whole new height.
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