Abstract
The film experience is not necessarily a single rectangle of light and shadow that flickers at one end of a darkened room. Call this “movies” or “cinema”—that archetypal dream world in which the spectator, seated in a near-foetal position, attempts to ignore the physical space, the other spectators, the projector's shifting beam, to concentrate on the images and the sounds that accompany them. Of course, the movies are a film experience—and a theatre experience—but the use of motion pictures is not so limited, and theatre is just beginning to realize the possibilities inherent in film.For many years, motion pictures have been used as elements in staged drama—epic and “total” theatre, the “living newspaper,” etc. In 1941, Robert Edmund Jones foresaw “in the simultaneous use of the living actor and the talking picture…a wholly new theatrical art, whose possibilities are as infinite as those of speech itself.”
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.