The Tragedy of Humanity: Christopher Marlowe’s The Jew of Malta Revisited

Abstract

Christopher Marlowe’s The Jew of Malta is a significant example of the transition from Morality Plays to a period of more developed and mature drama in the Elizabethan period. The themes that Marlowe handles and the protagonist he presents in the play emerge as aspects of a distinctive approach to dramatic representation and the concept of drama of that time. The play is set against the background of the struggle for economic, political, and military dominance between the Catholic Spain and Moslem Ottoman Empires and the Catholic administration and Jewish mercantile class in Malta. Religious conflicts and bigotry, intrigues, betrayals, and revenge plans committed by almost all characters representing different religious communities, ethnic prejudices that affect not only individuals but also the whole society, greed, and moral corruption emerge as the basic themes. Although the full title of the play was Famous Tragedy of the Rich Jew of Malta, the play could not gain the status of a tragedy in the Aristotelian or Elizabethan sense of the word for many critics due to its dominant farcical characteristics. For a modern reader, however, The Jew of Malta can be considered as a satirical tragedy, the tragedy not of the protagonist Barabas, but of humanity that craves material benefits and political power, and for the sake of achieving these, commits all kinds of villanies including exploitation, theft, and murder, and as a result, socially experiences the fall of the tragic hero.