The Telephonic Logic of "The Great Gatsby"

Research Article| January 01 2008 The American Dream Unhinged: Romance and Reality in "The Great Gatsby" and "Fight Club" SUZANNE DEL GIZZO SUZANNE DEL GIZZO Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2008) 6 (1): 69–94. https://doi.org/10.2307/41583129 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation SUZANNE DEL GIZZO; The American Dream Unhinged: Romance and Reality in "The Great Gatsby" and "Fight Club". The F. Scott Fitzgerald Review 1 January 2008; 6 (1): 69–94. doi: https://doi.org/10.2307/41583129 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2008 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2008The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| January 01 2009 "The Great Gatsby" and the Arrow Collar Man THOMAS DILWORTH THOMAS DILWORTH Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2009) 7 (1): 80–93. https://doi.org/10.2307/41583011 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation THOMAS DILWORTH; "The Great Gatsby" and the Arrow Collar Man. The F. Scott Fitzgerald Review 1 January 2009; 7 (1): 80–93. doi: https://doi.org/10.2307/41583011 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2009 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2009The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| January 01 2010 Reading "The Great Gatsby" in New Jersey: Responses to Fitzgerald in Richard Ford's Bascombe Trilogy: "The Sportswriter (1986), Independence Day (1995)", and "The Lay of the Land (2006)" HORST KRUSE HORST KRUSE Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2010) 8 (1): 208–217. https://doi.org/10.2307/41583162 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation HORST KRUSE; Reading "The Great Gatsby" in New Jersey: Responses to Fitzgerald in Richard Ford's Bascombe Trilogy: "The Sportswriter (1986), Independence Day (1995)", and "The Lay of the Land (2006)". The F. Scott Fitzgerald Review 1 January 2010; 8 (1): 208–217. doi: https://doi.org/10.2307/41583162 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2010 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2010The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| January 01 2008 Anti-Petronian Elements in "The Great Gatsby" R. SKLENAR R. SKLENAR Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2008) 6 (1): 121–128. https://doi.org/10.2307/41583132 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation R. SKLENAR; Anti-Petronian Elements in "The Great Gatsby". The F. Scott Fitzgerald Review 1 January 2008; 6 (1): 121–128. doi: https://doi.org/10.2307/41583132 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2008 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2008The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

Book Review| January 01 2008 History in Literature: The Story Behind F. Scott Fitzgerald's "The Great Gatsby" History in Literature: The Story Behind F. Scott Fitzgerald's "The Great Gatsby"Hensley, Laura J. PENNY RUDGE PENNY RUDGE Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2008) 6 (1): 193–194. https://doi.org/10.2307/41583144 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation PENNY RUDGE; History in Literature: The Story Behind F. Scott Fitzgerald's "The Great Gatsby". The F. Scott Fitzgerald Review 1 January 2008; 6 (1): 193–194. doi: https://doi.org/10.2307/41583144 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2008 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2008The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

Book Review| January 01 2009 Approaches to Teaching Fitzgerald's "The Great Gatsby" Approaches to Teaching Fitzgerald's "The Great Gatsby"Bryer, Jackson R.; VanArsdale, Nancy P. LAUREN A. RULE LAUREN A. RULE Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2009) 7 (1): 155–158. https://doi.org/10.2307/41583016 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation LAUREN A. RULE; Approaches to Teaching Fitzgerald's "The Great Gatsby". The F. Scott Fitzgerald Review 1 January 2009; 7 (1): 155–158. doi: https://doi.org/10.2307/41583016 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2009 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2009The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

Book Review| January 01 2010 The Great Gatsby: A Graphic Adaptation The Great Gatsby: A Graphic AdaptationFitzgerald, F. Scott; Greenberg, Nicki DANIEL WORDEN DANIEL WORDEN Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2010) 8 (1): 231–237. https://doi.org/10.2307/41583166 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation DANIEL WORDEN; The Great Gatsby: A Graphic Adaptation. The F. Scott Fitzgerald Review 1 January 2010; 8 (1): 231–237. doi: https://doi.org/10.2307/41583166 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2010 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2010The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

Gatsby:<i>The Cultural History of the Great American Novel</i><i>Beyond</i>Gatsby:<i>How Fitzgerald, Hemingway, and Writers of the 1920s Shaped American Culture</i><i>So We Read On: How</i>The Great Gatsby<i>Came to Be and Why It Endures</i>

Gatsby: <i>The Cultural History of the Great American Novel</i> <i>Beyond</i> Gatsby: <i>How Fitzgerald, Hemingway, and Writers of the 1920s Shaped American Culture</i> <i>So We Read On: How</i> The Great Gatsby <i>Came to Be and Why It Endures</i>

Book Review| January 01 2010 The Great Gatsby The Great GatsbyWebre, Septime; Novick, Billy; Kennedy, John F. JOSEPH FRUSCIONE JOSEPH FRUSCIONE Search for other works by this author on: This Site Google The F. Scott Fitzgerald Review (2010) 8 (1): 238–241. https://doi.org/10.2307/41583167 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation JOSEPH FRUSCIONE; The Great Gatsby. The F. Scott Fitzgerald Review 1 January 2010; 8 (1): 238–241. doi: https://doi.org/10.2307/41583167 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search The text of this article is only available as a PDF. Copyright © 2010 The F. Scott Fitzgerald Society/Wiley Periodicals, Inc.2010The F. Scott Fitzgerald Society/Wiley Periodicals, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

To help keep this bibliography up to date, please send notices and citations to jma22@psu.edu or to Jeanne M. Alexander, F. Scott Fitzgerald Edition, Department of English, 430 Burrowes Building, Pennsylvania State University, University Park, PA 16802.Simon, Scott. “Opinion: ‘The Great Gatsby’ Enters Public Domain But It Already Entered Our Hearts.” National Public Radio, Weekend Edition 2 Jan. 2021 [2:39]. Opinion: ‘The Great Gatsby’ Enters Public Domain But It Already Entered Our Hearts: NPR.

B A R R Y G R O S S Michigan State University Back West: Time and Place in The Great Gatsby “I see now,” says Nick Carraway, “that this has been the story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, were all W esterners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.” W hatever can he mean? If by “Eastern life” Nick means moral indifference, chaos and corruption, dishonesty and decadence, the Buchanans and Jordan Baker are right at home. True, Gatsby is sufficiently removed from Eastern life to keep his dream “in­ corruptible,” but he does exploit and function in it. Nick is the only really unsuccessful tran sp lan t though even he has his moments of adaptability. Nick’s statement has provided incontrovertible evidence for those who interpret The Great Gatsby as a “tragic pastoral.” Accord­ ing to this interpretation, Fitzgerald posits a corrupt, materialistic East against a simpler and, hence, morally superior West. But Tom ’s Lake Forest, Daisy and Jordan’s Louisville, Nick’s St. Paul are hardly frontier towns and certainly not pastoral. Nor do their products manifest a moral superiority to the Easterners with whom they come in contact. Nick explicitly denies that the wheat and the prairies constitute his Middle West. Jimmy Gatz is raised on a North Dakota farm but he leaves it. Indeed, the novel’s only rural W esterner is Henry C. Gatz and it would seem that if Fitz­ gerald wanted to suggest the West’s moral superiority he would have invested it in him. But Henry C. Gatz is just a sad old man as dazzled by the splendors of the East as his son ever was; he is gifted with no special insight or moral sensitivity. Fitzgerald wrote Maxwell Perkins on June 1, 1925, two months after Gatsby was published: As a matter of fact the American peasant as “real” material scarcely exists. He is scarcely 10% of the population, isn’t bound to the soil at all as the English and Russian peasants were — and, if he has any sensitivity whatsoever . . . , he is in the towns before he’s twenty. Either Lewis, Lardner and myself have been badly fooled, or else using him as typical American material is simply a stubborn seeking 4 Western A merican Literature for the static in a world that for almost a hundred years had simply not been static. It would seem that literary critics, at least those who subscribe to the “tragic pastoral” thesis, are not immune to the desire to repeat the past. The statement could be dismissed if Nick had made it earlier in the novel'as just another example of his faulty perception, along with his assumption that the squalor of Wilson’s garage cannot be all there is but “must be a blind” for “sumptuous and romantic apartm ents . . . overhead” and his guess that Gatsby bought his house across from Daisy’s by “a strange coincidence.” But Nick declares this the story of the West now, now that he has been educated, now that he has learned to look behind the pink suits and the frantic parties and the unbelievable house, now that he has perceived that the essential Gatsby is “worth the whole dam n bunch put together.” We must take the statement seriously. The statem ent makes sense to me — and, more im portant, illuminates the novel for me — if I regard East and West in The Great Gatsby not so much as places but as times, not so much as geographic locales but as states of mind — and at a specific historical mom ent in the history of the American imagination, that m om ent when the country suddenly reverses itself, turns in on itself, when manifest destiny makes an about-face, as if a cultural hourglass were suddenly tipped over and the grains of sand pursued a new course as irresistibly as they had pursued the old one. If this were a nineteenth century novel, if the author were a W hitman or Thoreau, West would be the geographical and psychological direction of the future, East...

Research Article| March 01 2014 A Weak Force: On the Chilean Dictatorship and Visual Arts Paula Cucurella Paula Cucurella University at Buffalo, State University of New York PAULA CUCURELLA is a Ph.D. candidate in comparative literature at State University of New York Buffalo. She is currently working on a dissertation on autobiography and auto-affection. Search for other works by this author on: This Site Google CR: The New Centennial Review (2014) 14 (1): 99–128. https://doi.org/10.14321/crnewcentrevi.14.1.0099 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Paula Cucurella; A Weak Force: On the Chilean Dictatorship and Visual Arts. CR: The New Centennial Review 1 March 2014; 14 (1): 99–128. doi: https://doi.org/10.14321/crnewcentrevi.14.1.0099 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressCR: The New Centennial Review Search Advanced Search The text of this article is only available as a PDF. © 2014 Michigan State University. All rights reserved.2014 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| March 01 2014 Procedures for Drawing the Event of the Indians: On Aira's An Episode in the Life of a Landscape Painter Brett Levinson Brett Levinson State University of New York, Binghamton BRETT LEVINSON is a professor in the Department of Comparative Literature at Binghamton University, New York, author of Secondary Moderns (1996), The Ends of Literature (2002), Market and Thought (2004), and numerous articles on Latin American literature and culture and Western philosophy. Search for other works by this author on: This Site Google CR: The New Centennial Review (2014) 14 (1): 47–70. https://doi.org/10.14321/crnewcentrevi.14.1.0047 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Brett Levinson; Procedures for Drawing the Event of the Indians: On Aira's An Episode in the Life of a Landscape Painter. CR: The New Centennial Review 1 March 2014; 14 (1): 47–70. doi: https://doi.org/10.14321/crnewcentrevi.14.1.0047 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressCR: The New Centennial Review Search Advanced Search The text of this article is only available as a PDF. © 2014 Michigan State University. All rights reserved.2014 Article PDF first page preview Close Modal You do not currently have access to this content.

This research article makes an attempt to explore the exposition of disgust Rasa in F. Scott Fitzgerald’s The Great Gatsby (1925). Human being has strong negative feeling of aversion or sickening feeling of revulsion because they are attracted to the materialistic life now. They have been money minded and have self-centered ideas. They only want to earn money. Sometime, they do the illegal work for earning money. They have sexual shameless behavior. They are highly obsessive and abominable. They desire to establish the factories for their luxury. They have become totally selfish. So, they have the destructive morality. Moreover, the whole landscape is covered by dust and then, they have complex life and it produces the disgust rasa which represents depression and dissatisfaction. It has a powerful pessimistic affection of disapproval. This study has read the novel through the critical design that Sheldon Pollock has developed the critical concept of disgust rasa. Thus, the finding of the research is that the modern men have no morality and they have Sickening and shocking manner, etc. which product full of disgust rasa in their life.