Abstract
Introduction Prologue: Ghostwriting the Holocaust: The Ghost Writer, The Diary, The Kindly Ones, and Me Section One: Psychoanalytic Listening and Fictions of the Holocaust 1. Voyeurism, Complicated Mourning, and the Fetish: Cynthia Ozick's The Shawl 2. Forced Confessions: Subject Position, Framing, and the Art of Spiegelman's Maus 3. Aryeh Lev Stollman's Far Euphrates: Re-picturing the Pre-Memory Moment Section Two: Golems, Ghosts, Idols, and Messiahs: Complicated Mourning and the Inter-textual Construction of a Jewish Symptom 4. Bruno Schulz, the Messiah, and Ghost/writing the Past 5. A Jewish History of Blocked Mourning and Love 6. See Under: Mourning Section Three: Mourning Becomes the Nations: Styron, Schlink, Sebald 7. Blacks, Jews, and Southerners in William Styron's Sophie's Choice 8. (Re)Reading the Holocaust from a German Point of View: Berhard Schlink's The Reader 9. Mourning and Melancholia in W. G. Sebald's Austerlitz Epilogue: Holocaust, Apartheid, and the Slaughter of Animals: J. M. Coetzee's Elizabeth Costello and Cora Diamond's Difficulty of Reality Notes Bibliography Index
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