Abstract
Contents: Preface Classifications of musical style during the 17th and early 18th centuries Kircher's Musurgia universalis (1650) and the stylus phantasticus The stylus phantasticus in 18th-century writings: Janovka, Brossard, Mattheson, Walther, and Grassineau The origins of the stylus phantasticus and the style's relationship to rhetoric The free keyboard works of the north German organ school and the stylus phantasticus Conclusion Notes Bibliography Index.
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