Abstract
This essay investigates deafness as an interfacial vehicle in Samuel Beckett’s The Unnamable by extending original concepts in Deaf studies such as Deaf Gain, and DeafSpace. By looking at a Deaf-oriented rhetoric in the novel, the essay, firstly, explores the interfacial role of the half-deaf narrator in their textual oasis; and secondly, examines how the narrator would challenge the dominant binary of presence-absence within a phonocentric context wherein the deaf are mere anacoluthonic attendees. While the novel’s soundscape has attracted lavish criticism as a verbal chrysalis, its layers have rarely been examined for moments of audiological incommunicability wherein the deaf narrator, as the other, negates the text’s phonic democracy by adopting silence, internal monologue, and reversals as modes and means of Deaf Gain. To investigate the instance of deaf survival, the essay engages DeafSpace as an interstitial space of dwelling for an audiologically marginalised narrator who experiences deafness as a phasic, onto-phenomenological transformation.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.