The software interfacial design of the mobile phone user

Abstract

The mobile phone, as the most common in daily life, is the terminal and aggregation of personal electronic supplies which has the fastest update speed, involving more and more in and impacting larger on human daily life. It is not only a mobile phone to be taken along, but more an aggregation of entertainment, life and information. Its terminal nature has also determined the humanization, interest, function integration and interface individuation must be more in the man-machine interaction .We are living in a world constructed with traditional culture. The design is a connective product of culture and art, science and technology, however, art and technology belong together to generalized cultural category. The culture is a summation between the material civilization and spiritual civilization, which has irreversible inheritance. Though artists and stylists from generation to generation always attempt to get rid of the shadow of traditional culture, and create the art milestone of their own, the traditional culture will also be very closely associated with them, and visible everywhere. Therefore, we can say, it is necessary that any traditional culture will generate a very deep influence on the development of art and technology, and directly or indirectly influence on our lives through them.BR This paper firstly through theoretical property research of the tangram, deeply into the design example of the existing famous stylist`s application of tangram as the basis. Then it draws forth the content that the tangram is applied to the mobile phone interface, through the analysis of various mobile phone interfaces and draws and summarizes a conclusion, using the morphological characteristics and game characteristics of the tangram to carry out mobile phone interface design. It combines the traditional culture with the national character, regionalism, sociality and historic nature and the modern design, finally completes the scheme.