Abstract
The Ukrainian academic song is a phenomenon that clearly demonstrates the significance of the ethnic national identity of Ukrainian music composition. Its origins are obviously Ukrainian folk songs, which determined the stylistic roots of Ukrainian chamber vocal lyrics with its genre stylistic diversity. And therefore, the importance of posing the problem lies in the fact that a certain system of its genre stylistic specialization was formed from among the genre varieties of Ukrainian chamber solo singing, which was discussed in the research of S. Lyudkevych regarding the solo songs of M. Lysenko to the lyrics of T. Shevchenko. Therefore, continuing the research traditions of the Galician scholar, as well as taking into accopunt modern analytical works, an updated view is offered regarding the genre stylistic priorities of Ukrainian academic songs. Research methods used are analytical and discursive, which means a logical elaboration of the existing research on the problems of generic specialization of chamber vocal lyrics as a whole. It is to be hoped that the selected research approach will be favorable for a heuristically fruitful and epistemologically plausible interpretation of the mental specificity of the Ukrainian academic songs.
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