The Rise and Fall of Evangelical Protestant Apocalyptic Horror: From A Thief in the Night to Left Behind and Beyond

Nonpatient care obligations of anesthesiologists.

Even in Grady Hendrix'

A content analysis of 490 Father's Day and Mother's Day comic strips published from 1940 to 1999 indicates that the culture of fatherhood has fluctuated since World War II. “Incompetent” fathers appeared frequently in the late 1940s, early 1950s, and late 1960s but were rarer in the late 1950s, early and late 1970s, early 1980s, and early 1990s. Fathers who were mocked were especially common in the early and late 1960s and early 1980s but were less common in the late 1940s, early and late 1950s, and early and late 1970s. Fathers who were nurturant and supportive toward children were most evident in the late 1940s, early 1950s, and early and late 1990s, with the longitudinal pattern resembling a U‐shaped curve. Differences between fathers and mothers also oscillated from one decade to the next.

Among the short-short stories by American authors translated by Japanese writer Tsuzuki Michio in the late 1950s — early 1960s, there were also extrashort stories by Robert Albert Bloch (1917–1994): detective stories, fantasy, psychological horror. Japanese writers known by their experiments in the genres of extra-short mystic and detective stories, as well as in the genre of psychological horror, note that their creative activity was partly influenced by Robert A. Bloch: these are Atōda Takashi (b. 1935), Akagawa Jirō (b.1948), and Tamaru Masatomo (b. 1987). Some allusions can also be seen in contemporary short-shorts by less famous Japanese writers, for example, Aoyama Shōji (b. 1975). This paper examines the topics, ideas, artistic devices, and psychologism of the Japanese micro fantasy and horror fiction, as well as its metaphorical meanings and the system of images. Allusions to Robert A. Bloch’s micro fiction in the shōto shōto stories by contemporary Japanese authors are analyzed from a comparative perspective. Literary parallels to Robert A. Bloch’s micro fiction can be found in the Tamaru Masatomo’s collection of short-short stories One Thousand Nights (Sen’ya ichiya) published in 2016; in Akagawa Jirō’s collections of short-short stories The Walk (Sampomichi, 2002), The Dancing Man (Odoru otoko, 1986), and The Talkative Woman (Katte-ni shaberu onna, 1986); in Atōda Takashi’s collections of short-short stories The Strange Day (Kimyōna hirusagari, 1996), The Eaten Man (Taberareta otoko, 2008) and The Cat Case (Neko-no jiken, 2010). The influence of Robert A. Bloch’s micro fiction can also be traced in one of Aoyama Shōji’s short-shorts from the collection of stories The Square of Shōto Shōto-1 (Shōto shōto-no hiroba-1, 2007). Following Robert A. Bloch’s methods and techniques, the Japanese writers in their short-short stories demonstrate symbolism, allegory, and black humor, as well as probing into certain social problems and human nature. For the first time, Japanese shōto shōto stories and Robert A. Bloch’s micro fiction are investigated from a comparative perspective.

We examined whether education-related inequalities were associated with the occurrence of low birthweight in 6 counties in southern China in the early and late 1990s. The study population consisted of 111,181 women (65,669 in the early 1990s and 45,482 in the late 1990s) in a population-based Perinatal Health Care Surveillance System. We used the chi(2) test, logistic regression, and concentration index for our analyses. From the early to late 1990s, the mean maternal education level increased significantly, and the percentage of low-birthweight births declined among all groups, for both male and female births, and at all levels of the mother's education. Relative to those with less than 9 years of formal education, there was a decreasing risk of low birthweight among those with 9 to 11 years of formal education (range in adjusted odds ratio=0.69-0.82) and with 12 or more years of formal education (range in adjusted odds ratio=0.51-0.74). Between the early and late 1990s, the concentration index changed from -0.0778 to -0.0656 for male births and from -0.0717 to -0.0813 for female births. Education-related inequalities associated with low birthweight persisted from the early to the late 1990s in surveyed areas.

This chapter highlights Carrie's legacy. The influence of Brian De Palma's Carrie, in terms of themes, structure, and milieu, would be felt across not just the horror genre but also the comedy genre in the late 1970s and early 1980s. Carrie's focus on adolescents, its ‘final scream’ sequence, pre-occupation with bodily emissions, victim/hero/monster central character, contemporary settings, and pop culture references within a genre-straddling narrative would be referenced by and provide the inspiration, in one form or another, for a multitude of subsequent movies. The high school, or other educational establishment, became a regularly used setting, with the Queen Bee, school jock, nerdy hangers-on, ineffectual adults, delinquent boys and sexually promiscuous (bordering on nymphomaniac) girls all becoming stock-in-trade characters. Carrie's distinction lay not in it being the first horror movie to centre on a group of young people ‘under vicious assault’ in a contemporary setting or in it being the first to use psychic/supernatural powers as a central narrative theme. What Carrie did was popularise its distinct elements within its singular narrative that film-makers, of horror, comedy, or comedy-horror films, then used, consciously or unconsciously, as noticeable elements in their own films.

Editor’s Plaisance

In modern economic conditions, it is advisable to study the issues related to the evolvement and development of the scientific and technical process in the late 1990s – early 2000s, which made it possible to carry out effective modernization in the industry of the USSR, to reduce the decline in the country’s industrial potential in the early 1990s, as well as to move to new breakthrough discoveries in the field of industry, taking into account the use of robotics and artificial intelligence at manufacturing site. In many ways, political institutions, various departments and ministries are responsible for carrying out this work, through the activities of which the country’s state policy is implemented. That is why it is important to analyze not only the industrial development of the state or large industries, but the regional authorities as well. The purpose of the study is to study the creation and activities carried out by the Ministry of Industry, Energy and Transport of the Chuvash Republic in the 1990s as one of the central management bodies of Chuvashia’s industry. Materials and methods. The methodological base of the article includes general scientific and special historical methods and approaches. The main materials for writing the article were archival funds identified in the State Archive of Modern History of the Chuvash Republic, some of the documents are introduced into scientific circulation for the first time. Research results. In the late 1980s and early 1990s, during the “perestroika”, which resulted in the collapse of the Soviet Union and formation of independent states, there was a change in the political course of the USSR. With this background, large-scale changes in the state structure were observed at all levels of government in the newly formed Russian Federation. When acquiring a new status, the Chuvash Republic, as well as many other regions of the country, carried out reforms of state administration bodies. In particular, in 1992, the Ministry of Industry of the Chuvash SSR was established in the system of the state apparatus of Chuvashia, which managed 83 enterprises related to mechanical engineering and metalworking, consumer goods industry, chemical, forestry and woodworking industries, in addition, design and other organizations. In December 1993 Chuvashia became a presidential republic, which led to a series of modernizations in its administrative structures of power. In 1994, the above-mentioned ministry was transformed into the Ministry of Industry, Energy and Transport of the Chuvash Republic. The direct powers of the new structure were also expanded – it carried out state regulation and coordination of the activities carried out by industrial associations, enterprises and organizations of the republic, formed the state industrial policy, carried out forecasting and analysis of the activities of industrial enterprises. Conclusions. The analysis made it possible to determine the main stages in the development and activity carried out by the Ministry of Industry, Energy and Transport of the Chuvash Republic in the 1990s, which is one of the central management bodies of industry in Chuvashia. The sources made it possible to trace and evaluate the powers and tasks facing the Ministry, taking into account the difficulties of the economic reforms of the 1990s and the expansion of ownership of industrial facilities. Despite the acute crisis in the socio-economic sphere during the period under study, the industry of Chuvashia in the late 1990s – early 2000s managed to overcome the decline and crisis phenomena, which resulted in continuing its progressive development, which was largely due to a competent management policy implemented by public authorities.

The Growing Clinical Impact of Gene Therapy

During the late 1960s and early 1970s, a noticeable shift occurred in the plots and soundtracks of narrative film in the United States. The genre of horror came to occupy a leading position among new releases (Rosemary’s Baby, 1968; The Devils, 1971; The Exorcist, 1973; The Omen, 1976), accompanied by music that would invert the signification of the church’s most sacred spiritual heritage: Latin became the language of the devil and chant his music. This chapter explores the historical and cultural bases for this turn to the dark side, to an evil medieval, by examining such concurrent events as Vatican II, the publication of Anton LaVey’s The Satanic Bible, the Charles Manson murders, and the Vietnam War.

Apocacidal Tendencies: Three Excerpts from the Heaven's Gate Website 1995 (A term which blends apocalypse with suicide, apocacides could be best described as those groups or individuals who understand salvation from an imagined approaching armageddon to involve, indeed depend upon, the voluntary sacrifice of one's own life on earth.) 1. '95 Statement by An E.T. Presently Incarnate: "... We brought to Earth with us a crew of students whom we had worked with (nurtured) on Earth in previous missions. They were in varying stages of metamorphic transition from membership in the human kingdom to membership in the physical Evolutionary Level Above Human (what your history refers to as the Kingdom of God or Kingdom of Heaven). It seems that we arrived in Earth's atmosphere between Earth's 1940s and early 1990s. We suspect that many of us arrived in staged spacecraft (UFO) crashes and many of our discarded bodies (genderless, not belonging to the human species), were retrieved by human authorities (government and military). Other crews from the Level Above Human preceded our arrival and 'tagged' -- placed a despite 'chip' -- in each of the vehicles (bodies) that we would individually incarnate into, when that instruction would be given. These 'chips' set aside those bodies for us ... In any given civilisation on a fertile planet such as Earth (and Earth has had many periodic/cyclical civilisations), the Level Above Human plants all the new life forms (including humans) for that civilisation in a neutral condition so that they have a chance to choose the direction of their growth. The Level Above Human -- or Next Level -- directly (hands on) relates significantly to the civilisation at its beginning stage, and subsequently (with few exceptions) at approximately 2000-year intervals (48-hour intervals from a Next Level perspective) until that civilisation's final 'Age.' ..." 2. Our Position Against Suicide: " ... We know that it is only while we are in these physical vehicles (bodies) that we can learn the lessons needed to complete our own individual transition, as well as to complete our task of offering the Kingdom of Heaven to this civilisation one last time. We take good care of our vehicles so they can function well for us in this task, and we try to protect them from any harm. We fully desire, expect, and look forward to boarding a spacecraft from the Next Level very soon (in our physical bodies). There is no doubt in our mind that our being 'picked up' is inevitable in the very near future. But what happens between now and then is the big question. We are keenly aware of several possibilities ... The true meaning of 'suicide' is to turn against the Next Level when it is being offered. In these last days, we are focused on ... entering the Kingdom of Heaven ..." 3. Last Chance to Evacuate Earth Before It's Recycled (Sept 29, 1996): "... I'm in a vehicle that is already falling apart on me, and I'm desperate to try to help you have a last chance to go ... I don't mean to make fun of this. I am desperate -- for your sakes. Within the past twenty-four hours I have been clearly informed by my Older Member of how short the remaining time is; how clearly we cannot concentrate on anything except the perspective that says: the end of this civilisation is very close. The end of a civilisation is accompanied by spading under, refurbishing the planet in preparation for another civilisation. And the only ones who can survive that experience have to be those who are taken into the keeping of the Evolutionary Level Above Human ..." Heaven's Gate -- http://www.trancenet.org/heavensgate/index.html Magnificat Meal Movement [Toowoomba, Australia] -- http://homepages.iol.ie/~magnific/ Apocaholic Cocktails: Mixing Visions of the End Armageddon Anonymous: Hidden Faces Plotting the End on Television The 1996 book release X-Files Confidential describes its subject matter as "'social-science fiction' ... fuelled by the realities -- and internal anxieties -- of [our] time: the era of diminished expectations", a television show which "concerns itself with the dark side of technology, competition, politics, ambition, and selfishness", warning against the "risks of abandoning an interior life or one's community" and reinforcing the notion that "our attempts to combat evil are usually an exercise in futility" though that "effort alone is significant". Unlike the participants within the apocaholic communities who intimate that the 'truth is with us', the X-Files, as an entertainment product of the secular industry, proclaims that the 'truth is out there'. This conceptual and narrative framework within the X-Files works on several levels: Frustrates resolution through contrived revelation; Frustrates revelation through contrived resolution; Identifies and resists externally imposed futures; Gives a narrative voice to marginalised hierarchies of genres, values and futures mythology, eg., those involving ufology, genetic mutations and the like; De-emphasises mainstream hierarchies of authority, genres, values and futures mythology; Suggests a regime of hidden truth, embedded within what initially appears as disconnected and unrelated phenomena; Implicates the mainstream future as conspiricist (i.e., the governments which control our futures do not have our interests at heart); Identifies the ritualistic reassurance set by the mainstream discursive strategy (e.g., "apology is policy"); Cultivates its own in-language, or futurespeak, where special terms refer to a future-oriented conspiracy of mammoth proportions. And, finally, it gives meaning to the millennium beyond a mere change in dates. All in all, the X-Files is popular and successful because it explores the possibilities of resolvable and unresolvable endings. It blurs the boundaries between the theological and the secular imaginings of the end. It borrows elements common to contemporary evangelicalism, endtime signs such as the mark of the beast, and gives them a plausible secular narrative. For example, whereas it might be difficult to suspend disbelief for a story that has a charismatic antichrist controlling the world through marking its population with 666, X-Files modernises the setting by creating a mysterious consortium of 12 elders who are in allegiance with some alien plan to initiate a scheduled holocaust. Such an organised drive towards armageddon involves genetic tagging of the populations through smallpox injections, little biochips which switch on and switch-off cancers, transportation of plague through bee stings and heavenly lights that harbour creatures with sinister purposes. In the X-Files, mainstream society is the cult whose future has been pre-organised by its real architects and whose adherents, the general populace, move through society blinded by ideas and doctrines of thought that Mulder sees as lies. His ultimate quest is find the truth, to reveal the future being secretly planned for the world. His quest involves reading the signs of the times in his encounters with the X-Files. Scully, whose initial introduction was to provide a sceptic balance to his quest, in fact provides a scientific rationale for Mulder's seemingly odd flights of fancy. In explaining Mulder's theories away in pseudo-scientific terms, Scully makes the unthinkable seem more plausible, and her character development from sceptic to believer provides the narrative added credibility for long-term viewers. If Scully can be convinced, then there must really be a hidden sinister future embedded beyond the mainstream outlook. Mainstream programmes such as these can in themselves throw wine of the proverbial armageddon fire. Both Star Trek and the X-Files were favourite pastimes for the Heaven's Gate Cult. Star Trek epitomised the ultimate open-ended humanist future, exploration of the unknown, while the X-Files epitomised the nature of this level, a conspiricist and closed future in which the world's only hope lay in the revealing of the sinister unknown before the great destructive end. Needless to say, X-Files-styled sites proliferate the Webscape in late 1999: Apocalypse Soon -- http://www.apocalypsesoon.org/english.html UFOs & Antichrist Millennium Bug Connection New World Order -- http://www.mt.net/~watcher/nwoy2k.html UFOs, Aliens & Antichrist: The Angelic Conspiracy & End Times Deception -- http://www.mt.net/~watcher/ "The Bible says that the b'nai Elohim, angels, sons of God, were ministers of creation, from before the worlds, Job 38:7. Contrary to popular secular theories, the b'nai Elohim are created beings distinct from ELOHIM the God of Israel. God created the b'nai Elohim to reflect His glory, and reflect His word which spoke all things into being. Before a third of the heavenly host rebelled, they were stewards of creation, building civilizations on the terrestrial planets of our solar system designed to glorify the Word of God. The Cydonia "face" is a monument constructed by these Sons of God, revealing their knowledge of the message in the stars. Both the Cydonia face and the Sphinx are cherubim, combining figures in the constellations Virgo and Leo, symbolic representations of the first and second advent of Christ on Earth." Satan's Plan to Escape Judgement -- http://www.mt.net/~watcher/hate.html "Previous pages explained how Satan was created to lead the angelic hierarchy, ruling over physical civilizations of angels on planets, such as the one still in evidence on Mars. After Satan rebelled, the center of his angelic civilization was destroyed "from among the stones of fire", yet the Bible tells us Satan is still waiting for the time of God's judgment. Satan is not in hell, he is still allowed audience before God,

The paper analyses the tensions in the text, production and reception of the children’s horror film The Gate (Tibor Takács, 1987) relating to the sustained ambiguity around the Motion Picture Association of America's PG-13 classification. I suggest that the late 1980s was a moment of transition toward new attitudes about the horror genre and children. To develop this argument, the paper explores the main issues raised in critical opinion about the film at the time of its release: notions on what the horror genre is or should be; the changing assumptions about its audiences (namely the shift away from an adults-only perspective); and moral panics triggered by transitioning social values. These struggles are suggested also in the creative clashes between the writer and director of The Gate: where one wanted to make a traditional R-rated horror, the other was adamant about it being a positive fairy-tale for pre-teens. The paper analyses the way this conflict is reflected in the film’s representations of children and suggests that its resolution in a vision of child empowerment (narratively and critically) indicates a move away from traditional assumptions about the horror genre, as well as childhood. Through this analysis, the paper also seeks to understand how PG-13 was perceived in the late 1980s, particularly in terms of its implied audience and its relationship with the genre of horror. Through this focus on the relationship between ratings, creative choices and conflicting attitudes, the paper proposes the idea of two intertwined cultural shifts: toward a more segmented view of childhood, in the emergence of the pre-teen as a demographic, and a more open definition of horror and its audiences.

Re-imagining Horror in Children's Animated Film

Identifying predictability and the corresponding sources for the western North Pacific (WNP) summer climate in the case of non-stationary teleconnections during recent decades benefits for further improvements of long-range prediction on the WNP and East Asian summers. In the past few decades, pronounced increases on the summer sea surface temperature (SST) and associated interannual variability are observed over the tropical Indian Ocean and eastern Pacific around the late 1970s and over the Maritime Continent and western–central Pacific around the early 1990s. These increases are associated with significant enhancements of the interannual variability for the lower-tropospheric wind over the WNP. In this study, we further assess interdecadal changes on the seasonal prediction of the WNP summer anomalies, using May-start retrospective forecasts from the ENSEMBLES multi-model project in the period 1960–2005. It is found that prediction of the WNP summer anomalies exhibits an interdecadal shift with higher prediction skills since the late 1970s, particularly after the early 1990s. Improvements of the prediction skills for SSTs after the late 1970s are mainly found around tropical Indian Ocean and the WNP. The better prediction of the WNP after the late 1970s may arise mainly from the improvement of the SST prediction around the tropical eastern Indian Ocean. The close teleconnections between the tropical eastern Indian Ocean and WNP summer variability work both in the model predictions and observations. After the early 1990s, on the other hand, the improvements are detected mainly around the South China Sea and Philippines for the lower-tropospheric zonal wind and precipitation anomalies, associating with a better description of the SST anomalies around the Maritime Continent. A dipole SST pattern over the Maritime Continent and the central equatorial Pacific Ocean is closely related to the WNP summer anomalies after the early 1990s. This teleconnection mode is quite predictable, which is realistically reproduced by the models, presenting more predictable signals to the WNP summer climate after the early 1990s.

Milton Friedman and the Road to Monetarism: A Review Essay