Abstract

This article examines the problem of the relationship between freedom and self-will on the example of one of the heroes of Dostoevskys novel Crime and Punishment . Attention is focused not only on the canonical text of the novel, but also on the preparatory materials for it. The task is to identify the connection between the above named problem and the suicide problem of Arkady Ivanovich Svidrigailov. The thesis is put forward that for Dostoevskys heroes, self-will often becomes a fetter for their own nature and their own passions. With the help of debauchery, Svidrigailov tries to assert himself, giving his soul to the mercy of willfulness. There is a certain pattern in the fact that such a worldview logical chain ends with the tragic act of suicide. Arkady Ivanovich adores comfort, and therefore, in accordance with his own logic, his murder by Dunya, which did not happen, can be considered, among other things, as an attempt of a comfortable method of suicide. In the preparatory materials for the novel, Svidrigailov protests against cowardly meanness and puts suicide above such a humiliating state, although he understands the entire flaw in such a situation. For all the complexities the problem of freedom and self-will - one of the leitmotifs of religious and philosophical themes in the writers work - Dostoevsky does not see its formal, external solution.

Highlights

  • This article examines the problem of the relationship between freedom and selfwill on the example of one of the heroes of Dostoevsky’s novel Crime and Punishment

  • There is a certain pattern in the fact that such a worldview logical chain ends with the tragic act of suicide

  • In the preparatory materials for the novel, Svidrigailov protests against cowardly meanness and puts suicide above such a humiliating state, he understands the entire flaw in such a situation

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Summary

Introduction

In the preparatory materials for the novel, Svidrigailov protests against cowardly meanness and puts suicide above such a humiliating state, he understands the entire flaw in such a situation. После такого отказа герой Достоевского задумывает самоубийство: иными словами – после того, как одного упоения своеволием у него не получилось, он замышляет другое, аксиологически уравнивая в правах понятия «жизни», «смерти» и «сладострастия»: «Знаете ли, что вы меня убиваете...» [4. Удивительно то, что и перед самой смертью все его мысли о неудавшемся: «Дуня стреляет в него: какая, однако ж, она красивая, подумал Свидригайлов» [4.

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