Abstract
In ‘The Polyphonic Object’ four analyses by scholars from different perspectives and academic fields show the layers of complexity a single object can hold. Through their (historical, museum studies, urban geographical, and argumentation/rhetorical) reconstructions, they uncover the different stories behind the painting Genrestuk (translation: ‘A Genre Piece' by Albert Blitz (1975) (Stichting Genootschap Amsterdam Museum, 1985). The painting was made in response to the ‘Nieuwmarkt riots’.
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