The Politics of Class Compromise in an International Context: Considerations for a New Strategy for Labor

In the wake of the twinned specters of authoritarianism and antidemocratic governance that the COVID-19 pandemic lockdowns in India have both exacerbated and facilitated, the author argues that scholarship on sex work deployed through a critique of labor will be pressed to rethink its analytic focus on the law. Instead, the author argues for a field-level focus built around both the everyday life of surviving sex work in the informal economy and the understanding that enforcement of the law regularly diverges from the letter of the law itself. Unless it accounts for prevailing epistemic conditions, new critical work on sex work as a labor strategy may afford opportunities to be taken up in support of reductive narratives of sex work, built around the trope of injury. The consequences of not addressing the conditions of the production of our critiques will be the continued erasure of sex workers as migrant workers and as economic agents. In the post-COVID-19 world, these critiques will be stressed even further, as the informal sector expands along with uneven policing, and as sex work continues to serve as a measure of security for some, against a backdrop of extreme and intensifying precarity.

My dissertation project Double bass in Czech music of the 21st century with a focus on solo and chamber music literature in a historical and international context aims to convey a report about the state of the Czech contemporary music for double bass in the new millennium. The output value should be a summarization and cataloguing of new compositions, a comparison of the same and a description of them in both an international and historical context. An- other important aspect of this thesis is the case analysis of some pieces and a description of compositional techniques used. This work is meant to be mainly for musical high school (conservatories in the Czech Republic) and musical universities students and pedagogues, as well as double bass interpreters and others interested in this topic, who want to broaden their horizons and discover the state of the contemporary Czech literature for double bass and learn new and often superior compositions. First and foremost, an encyclopaedic style summariza- tion of contemporary double bass pieces should provide a useful tool for all readers interested in discovering new pieces for the deepest string instrument. Another important point of the thesis is a description and explanation of the most common interpretation techniques and a guide to their realisation in praxis.

Many literature professors in the U.S. strive to foster skills of critical self-reflection: we ask students to be responsible to textual evidence, historical context, and the implications of the interpreter's acts. Recent teaching also stresses the transnational contexts for literary expression and interpretation. But what happens when these pedagogical practices are transported to classrooms abroad? This essay addresses this broad question through the problem of developing an American Studies curriculum in Turkey. The authors outline the conceptual genealogy of departments of "American Culture and Literature" in Turkey and then relate it to narratives of emergence for American Studies in the U.S. and other countries. The authors then discuss the evolution of the curriculum they revised. They conclude by assessing the outcome, especially noting the difficulty of cultivating critical self-reflection in a social and institutional setting that has few of the safeguards for freedom of expression found in the U.S.

How may we evaluate such progress as has been made in British disability policies? Clearly, one way would be to measure the domestic position against the treatment of disabled people elsewhere using an international (and partly historical) context. Recalling the models of policy enunciated in Chapter 3, it is possible to characterise the situations in a number of countries as being particularly representative of one or other of those models: the negative policy model, the denial of human rights: Nazi Germany; the laissez-faire(or minimalist) model: China; the maximal welfare approach to policy making: Sweden; a hybrid welfare/civil rights approach to policy making: Australia; the rights-based policy model: United States of America; the piecemeal approach to policy making: United Kingdom.

<p>The desire to construct a sense of home and the need to belong are basic to human society, and to the processes of its cultural production. Since the beginning of New Zealand’s European colonial settlement, the determination to create and reflect a separate and distinctive collective identity for the country’s Pākehā population has been the primary focus of much local creative and critical literature. Most literary histories, like those of Patrick Evans (1990) and Terry Sturm (1991), have followed the narrative of progression – established initially in E.H. McCormick’s Letters and Art in New Zealand (1940) – away from colonial dependency through delineated stages from provincial and cultural nationalist phases to the achievement of a bicultural and multicultural consensus in a globalized, international context. This thesis questions the progressivist assumption which often informs that narrative, arguing instead that, while change and progress have been evident in the development of local notions of identity in the country’s writing over time, there is also a pattern of recurrent concerns about national identity that remained unresolved at the end of the last century. This complex and nuanced picture is disclosed in particular in the uncertain and shifting nature of New Zealand’s relationship with Australia, its response towards expatriates, a continuing concern with the nature of the ‘reality’ of ‘New Zealandness’, and the ambivalence of its sense of identity and place within a broader international context. New Zealand’s national anthologies of verse and short fiction produced over the twentieth century, and their reception in the critical literature that they generated, are taken in the thesis as forming a microcosmic representation of the major concerns that underlie the discourse of national identity formation in this country. I present an analysis of the canonical literary anthologies, in particular those of verse, and of a wide range of critical work focused on responses to the historical development of local literature. From this, I develop the argument that a dual, interlinked pattern, both of progress and of reversion to early concerns and uncertainties, is evident. The thesis is structured into six chapters: an introductory chapter outlines the national and international historical contexts within which the literary contestation of New Zealand identity has developed; the second outlines the contribution of influential literary anthologies to the construction of various concepts of New Zealandness; three chapters then address particular thematic concerns identified as recurring tropes within the primary and secondary literature focused on the discourse of national identity – the ‘problem’ of the expatriate writer, the search for ‘reality’ and ‘authenticity’ in the portrayal of local experience, and New Zealand’s literary response towards Australia; and the Conclusion, which summarizes the argument presented in the thesis and provides an assessment of its major findings. A Bibliography of the works cited in the text is appended at the end of the thesis.</p>

<p>The desire to construct a sense of home and the need to belong are basic to human society, and to the processes of its cultural production. Since the beginning of New Zealand’s European colonial settlement, the determination to create and reflect a separate and distinctive collective identity for the country’s Pākehā population has been the primary focus of much local creative and critical literature. Most literary histories, like those of Patrick Evans (1990) and Terry Sturm (1991), have followed the narrative of progression – established initially in E.H. McCormick’s Letters and Art in New Zealand (1940) – away from colonial dependency through delineated stages from provincial and cultural nationalist phases to the achievement of a bicultural and multicultural consensus in a globalized, international context. This thesis questions the progressivist assumption which often informs that narrative, arguing instead that, while change and progress have been evident in the development of local notions of identity in the country’s writing over time, there is also a pattern of recurrent concerns about national identity that remained unresolved at the end of the last century. This complex and nuanced picture is disclosed in particular in the uncertain and shifting nature of New Zealand’s relationship with Australia, its response towards expatriates, a continuing concern with the nature of the ‘reality’ of ‘New Zealandness’, and the ambivalence of its sense of identity and place within a broader international context. New Zealand’s national anthologies of verse and short fiction produced over the twentieth century, and their reception in the critical literature that they generated, are taken in the thesis as forming a microcosmic representation of the major concerns that underlie the discourse of national identity formation in this country. I present an analysis of the canonical literary anthologies, in particular those of verse, and of a wide range of critical work focused on responses to the historical development of local literature. From this, I develop the argument that a dual, interlinked pattern, both of progress and of reversion to early concerns and uncertainties, is evident. The thesis is structured into six chapters: an introductory chapter outlines the national and international historical contexts within which the literary contestation of New Zealand identity has developed; the second outlines the contribution of influential literary anthologies to the construction of various concepts of New Zealandness; three chapters then address particular thematic concerns identified as recurring tropes within the primary and secondary literature focused on the discourse of national identity – the ‘problem’ of the expatriate writer, the search for ‘reality’ and ‘authenticity’ in the portrayal of local experience, and New Zealand’s literary response towards Australia; and the Conclusion, which summarizes the argument presented in the thesis and provides an assessment of its major findings. A Bibliography of the works cited in the text is appended at the end of the thesis.</p>

In this article local governance in the Swedish context is discussed. A case study of a Swedish city is framed in its historical, national and international context. By locating the redevelopment of an old harbour within a historical context, new insights are brought into the understanding of local governance. Cities are indeed nested. Deteriorating public finances, the deregulation of the economy (nationally and globally), the changed status of the welfare state, the restructuring of industry and the neo-liberal wave all taken together form a formidable challenge. A radical questioning of the values, principles and forms of the Swedish welfare state has tangible impacts on local governance. It is concluded that Swedish municipal actors face the dual challenge of acting efficiently (being sensitive to the needs and demands of local elites), while keeping democratic legitimacy (being sensitive to the needs and demands of all citizens).

(2000). Politics in the Periphery: Political Cleavages in Poland Interpreted in their Historical and International Context. Europe-Asia Studies: Vol. 52, No. 5, pp. 851-873.

The development of educational psychology services for young people and young adults after they reach school leaving age has been subject to very little research. Services internationally have largely been marked by the absence rather than the presence of any initiatives of this kind. Nevertheless, it was over 60 years ago that an international template for post-school services was proposed in the 1956 UNESCO report by William Wall. Although titledPsychological Services for Schools,its vision was broad and far-reaching, with sections covering not only the age ranges through preschool, primary and secondary, but also technical and pre-vocational education, transition from school to working life and guidance and counselling services at university.In general, this vision did not materialise, and in almost all countries with a formal structure for educational psychology services the remit which developed focused on school settings, with a primary concern for those with special educational needs rather than a broader and more universal view of service provision. It was half a century after the Wall report before Scotland in 2006 became the first country to have a formal remit for post-school services, recognised at government level. This paper provides a historical and international context in which to locate the extension in England and Wales of the role of the educational psychologist to the population up to 25 years following the Children and Families Act 2014. The implications for how we conceptualise educational psychology as a profession are discussed.

In light of globalization and increased cultural diversity, the question of cultural identity becomes particularly salient in many societies today. Whereas most studies have concentrated on cultural identity of immigrants, less is known about the identity constructions of non-immigrants and receiving country nationals living in a multicultural setting. The Grand Duchy of Luxembourg with a foreign population of 48% provides an excellent example case here. The present study examined the cultural identity of two generations of native Luxembourgers, drawing on a content analysis of qualitative interviews with N = 18 participants belonging to nine family dyads, each composed of one (young) adult child and one parent. As Luxembourg’s cultural diversity has increased continuously in the last decades, we focussed here on similarities and differences between (young) adults and their parents in order to find out in how far age (i.e., different points in the individual life span) or generation (i.e., growing up in different times and historical contexts) might be highlighted in their cultural identity constructions. Five main domains pertaining to Luxembourger’s cultural identity were found through qualitative content analysis: ‘the Luxembourgish language’, ‘Belongingness to Luxembourg and the love for Luxembourg as a homeland’, ‘Europeanization and multiculturalism in Luxembourg’, ‘Representing Luxembourg as a native in international contexts’ and ‘Luxembourgish traditions and history’. While the older generation focused more on the feeling of belongingness to their home country, the younger generation made more specific links to Europe and multiculturalism. Practical and theoretical implications are discussed.

Japanese architecture has long had varying expressions and historical interpretations both inside and outside the geographic boundaries of the island nation. While the earliest structures date back to the Jōmon period (14,000 bce to 300 bce), the profession of the architect as a specialist in designing buildings using Western building construction did not emerge until the Meiji period (1868–1912). Up until this time, the master carpenter was both the designer and the builder, and was particularly well versed in wood-frame construction. The discipline of architectural history within Japan also developed during this time, led by Itō Chūta (b. 1867–d. 1954), whose study of Hōryūji temple in contrast to the Parthenon situated the Japanese architectural canon within an international context. While studies of Japanese architectural history have focused on the religious structures of Buddhism and Shinto, foreign observers and specialists such as Edward Morse (b. 1838–d. 1925), author of Japanese Homes and Their Surroundings (originally published in 1886), documented the vernacular built environment. Domestic architecture has subsequently been the subject of a wide range of studies in its premodern and modern incarnations. Moreover, the ravages of earthquakes, fires, wars, and developers have exacerbated the rapid transformation of the Japanese built environment from the 19th century to the present. The history of modern Japanese architecture is thus presented through the historical periods from the opening of Japan to the West, post–World War II development, and contemporary trajectories. In addition to a bibliography of individual architects, urbanism and Japanese gardens have been included in this article to present the broader Japanese architect integrally with the built and natural environments. The bibliography of Japanese architecture reflects this great variety through time and differing domestic and international contexts. English-language scholarship has long relied on visual interpretation, shaped by the subjectivity of historical periods and personal interests and expertise. While comprehensive in-depth English accounts covering the earliest periods to the present are limited, with most recent scholarship focusing on the modern period (1868–), the following provides a framework of themes and typologies within historical contexts that may serve as a starting point for inquiry and further research. For clarity, all names are listed following English convention, with given name first and family name second; macrons are used for long vowels. Some Japanese names have multiple spellings in English.

Japanese architecture has long had varying expressions and historical interpretations both inside and outside the geographic boundaries of the island nation. While the earliest structures date back to the Jōmon period (c. 14,000 bce to c. 300 bce), the profession of the architect as a specialist in designing buildings using Western building construction did not emerge until the Meiji period (b. 1868–d. 1912). Up until this time, the master carpenter was both the designer and builder, and was particularly well versed in wood-frame construction. The discipline of architectural history within Japan also developed during this time, led by Itō Chūta (b. 1867–d. 1954), whose study of Hōryūji temple in contrast to the Parthenon situated the Japanese architectural canon within an international context. While studies of Japanese architectural history have focused on the religious structures of Buddhism and Shinto, foreign observers and specialists such as Edward Morse (b. 1838–d. 1925), author of Japanese Homes and Their Surroundings (originally published in 1886), documented the vernacular built environment. Domestic architecture has subsequently been the subject of a wide range of studies in its premodern and modern incarnations. Moreover, the ravages of earthquakes, fires, wars, and developers have exacerbated the rapid transformation of the Japanese built environment from the 19th century to the present. The history of modern Japanese architecture is thus presented through the historical periods from the opening of Japan to the West, post–World War II development, and contemporary trajectories. In addition to a bibliography of individual architects, urbanism, and Japanese gardens have been included in this article to present the broader Japanese architecture integrally with the built and natural environments. The bibliography of Japanese architecture reflects this great variety through time and differing domestic and international contexts. English-language scholarship has long relied on visual interpretation, shaped by the subjectivity of historical periods and personal interests and expertise. While comprehensive in-depth English accounts covering the earliest periods to the present are limited, with most recent scholarship focusing on the modern period (1868–), the following provides a framework of themes and typologies within historical contexts that may serve as a starting point for inquiry and further research. For clarity, all names are listed following English convention, with given name first and family name second; macrons are used for long vowels. Some Japanese names have multiple spellings in English.

This article places socioeconomic gradients in health into a broader international and historical context. The data we present supports the conclusion that current socioeconomic gradients in health within the United States are neither inevitable nor immutable. This literature reveals periods in the United States with substantially smaller gradients, and identifies many examples of other countries whose different social policy choices appear to have led to superior health levels and equity even with fewer aggregate resources. The article also sheds light on the potential importance of various hypothesized mechanisms in driving major shifts in U.S. population health patterns. While it is essential to carefully examine individual mechanisms contributing to health patterns, it is also illuminating to take a more holistic view of the set of factors changing in conjunction with major shifts in population health. In this article, we do so by focusing on the period of the 1980s, during which U.S. life expectancy gains slowed markedly relative to other developed countries, and U.S. health disparities substantially increased. A comparison with Canada suggests that exploring broad social policy differences, such as the weaker social safety net in the United States, may be a promising area for future investigation.

This practice-based research explores the notion of Iranian cultural identity as reflected in artworks exhibited in the Tehran Biennials (1958- 1966) and in a particular individual practice. This research uses the five Tehran Biennales and their national and international context as a tool to reveal the development of their influence on the construction of new images of Iranian identity. The research frames these national exhibitions within the influence of Western modernism and Western critique of orientalism. It frames its enquiry in historical and theoretical research and my studio practice as a contemporary Iranian artist. It constructs a methodology appropriate for visual analysis across the five events and for examination and comparison of individual artists and artworks. A core aim of the enquiry is gaining better understanding of the tensions between Iranian-Islamic and pre-Islamic traditions and of the changing national sentiment and the influence of Western modernism in the arts. My method includes ‘action research’ that juxtaposes the theoretic, historic, and artistic aspects based on a ‘self-observer’ and ‘observer of others’. By its cycling of studio production and reflection through critical and visual analysis, this method has enabled me to explore theoretical and historical contexts in my works. The research also examines the motivations and influence of Iranian state ideology on the formation and discontinuation of the biennales as instruments for cultural innovation and internationalisation. As all biennales by their nature seek to survey a field of activity, the research has remained sensitive to a wide range of artists engaged across a spectrum of practices between 1958 and 1966. For some, the period marked a return to their traditions and heritage to recognise and distinguish their national identity from Western art. For others, the new challenges enabled new representations relevant to Iran in the twentieth century. Between these poles, there were many types of ‘return’ and re-emergence, some to Iranian and Islamic heritage, others to an earlier hospitality for international influence. This ten-year period holds the key to my own understanding of my studio practice and the emergence of collage as a technique central to my work. Collage and mixing media have become powerfully associated with the challenges I face in negotiating between East and West, old and new values, and my changing perceptions of myself. The different layers in collage and its variety of media metaphorically suggest the concept of Iranian identity as a layered and collective identity. While my practice comprises autobiographical elements, it is nonetheless analytical in that it draws on the history of the Biennial period. The Tehran Biennials and their attempts to form a new Iranian art provide the background against which I project my conceptions of identity and memory. They are part of the legacy that enables me, a contemporary Iranian woman artist, to explore the various perspectives regarding Iranian identity and the means by which artists visualise it. Moreover, the practice-based method adapted in this research has enabled me to combine historical overview, visual analysis of modern art in Iran, and contemporary insights to offer new an understanding of how art reflects changing identities. This study defines identity, in a personal level, as a multi-layered identity, including fragmented and fragile layers that form within socio-cultural and individual values.

Labor-worker relations and labor revitalization - the challenge of union bureaucratization - reviving the labor movement - a comparative perspective, L. Turner made in the USA, imported into Britain - the organizing model and the limits of transferability, B. Carter et al organising for renewal - a case study of the UK's organising academy, E. Heery et al revitalization of the labor movement in The Netherlands - with or without the traditional unions?, L. Beukema, H. Coenen. labor-employer relations and labor revitalization - reshaping employment relations: regional development and new labor strategies - trade unions and the new car plants in Resende, Brazil, A. Rangel de Paiva Abreu, J.R. Ramalho Korean white-collar unions' journey to labor solidarity - the historic path from industrial to enterprise unionism, Doowon Suh labor-state relations and labor revitalization - political opportunity and labor autonomy from the state - labor revitalization? the case of Australia, R. Cooper et al Mexican trade unionism in the face of political transition, E. de la Garza Toledo political transition and labor revitalization in Mexico, G. Bensus n, M.L. Cook relegitimization of the union movement in Venezuela, H. Lucena.