Abstract
The relationship between color and form has been a long standing issue in visual science. A picture of functional segregation and topographic clustering emerges from anatomical and electrophysiological studies in animals, as well as by brain imaging studies in human. However, one of the many roles of chromatic information is to support form perception, and in some cases it can do so in a way superior to achromatic (luminance) information. This occurs both at an early, contour-detection stage, as well as in late, higher stages involving spatial integration and the perception of global shapes. Pure chromatic contrast can also support several visual illusions related to form-perception. On the other hand, form seems a necessary prerequisite for the computation and assignment of color across space, and there are several respects in which the color of an object can be influenced by its form. Evidently, color and form are mutually dependent. Electrophysiological studies have revealed neurons in the visual brain able to signal contours determined by pure chromatic contrast, the spatial tuning of which is similar to that of neurons carrying luminance information. It seems that, especially at an early stage, form is processed by several, independent systems that interact with each other, each one having different tuning characteristics in color space. At later processing stages, mechanisms able to combine information coming from different sources emerge. A clear interaction between color and form is manifested by the fact that color-form contingencies can be observed in various perceptual phenomena such as adaptation aftereffects and illusions. Such an interaction suggests a possible early binding between these two attributes, something that has been verified by both electrophysiological and fMRI studies.
Highlights
Specialty section: This article was submitted to Perception Science, a section of the journal Frontiers in Psychology
In yet another study of orientation discrimination involving external noise, performance was equivalent for color and luminance stimuli, demonstrating the ability of chromatic information to support the early stages of form vision, almost as effectively as luminance information (Beaudot and Mullen, 2005)
The latter can be the result of processing luminance information, which is not necessarily redundant with that provided by the chromatic system
Summary
Electrophysiological studies have revealed neurons in the visual brain able to signal contours determined by pure chromatic contrast, the spatial tuning of which is similar to that of neurons carrying luminance information. It seems that, especially at an early stage, form is processed by several, independent systems that interact with each other, each one having different tuning characteristics in color space. A clear interaction between color and form is manifested by the fact that color-form contingencies can be observed in various perceptual phenomena such as adaptation aftereffects and illusions Such an interaction suggests a possible early binding between these two attributes, something that has been verified by both electrophysiological and fMRI studies
Sign-in/Register to view highlights & summary Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
