Abstract
This article aims to summarize the Kantian philosophy of visual aesthetics, realize the logical discrimination between plastic aesthetics and the philosophy of aesthetics, the distinction between art object and artwork, and the essentialization of the value significance of the artwork exemplified in a relevant case study: the painting ”Boots” by Vincent Van Gogh.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
