Abstract
Introduction by Kristine Ibsen Displacement: Strategies of Transformation in Angeles Mastretta's Arrancame la vida by Danny J. Anderson Transgression in the Comic Mode: Angeles Mastretta and Her Cast of Liberated Aunts by Dianna Niebylski 'En donde van a florear?: Elena Poniatowska's La Flor de Lis and the Problematics of Identity by Jeanne Vaughn Light-Writing: Biography and Photography in Elena Poniatowska's Tinisima by Beth E. Jorgensen Tinisima: The Construction of the Self Through the Structures of Narrative Discourse by Charlotte Ekland Historiographic Metafiction or the Rewriting of History in Carmen Boullosa's Son vacas, somos puercos by Cynthia M. Tompkins Cross-Dressing and the Birth of a Nation: Duerme by Carmen Boullosa by Salvador Oropesa On Recipes, Reading, and Revolution: Postboom Parody in Como agua para chocolate by Kristine Ibsen Storytelling in Laura Esquivel's Como agua para chocolate by Yael Halevi The Sound of Silence: Voices of the Marginalized in Cristina Pacheco's Narrative by Linda Egan The Transformation of the Reader in Maria Luisa Puga's Panico o peligro by Florence Moorhead-Rosenberg Growing Up Jewish in Mexico: Sabina Berman's La bobe and Rosa Nissan's Novia que te vea by Darrell B. Lockhart Barbara Jacobs: Gendered Subjectivity and the Epistolary Essay by Maria Concepcion Bados-Ciria Selected Bibliography Index
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