Abstract
Though Plato may have been making a metaphysical argument when he valorized orality over textuality in Phaedrus, a close reading of “Plato's Pharmacy” reveals that Jacques Derrida's response, which reversed Plato's oral/textual dissociation, was metaphorical. The difference/differénce between the metaphysical and metaphorical is itself lost in the Yale School's translation of French deconstruction into American poststructuralism. When the Yale School's metaphysical interpretation of poststructuralism, and particularly the literary notion of the author, is imported into composition, Derrida's claim that writing is “essentially democratic” is itself reversed, and the student subject is deconstructed alongside student writing.
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