Abstract
This article explores a distinctive mode of narrative, “the novel as museum,” as represented in Orhan Pamuk's 2008 novel. Framed via Walter Benjamin's ideas on collecting and urban representation and Pamuk's 2009 Norton Lectures on The Naïve and Sentimental Novelist, the article traces a link between Pamuk's fictional museum and its physical counterpart in Istanbul and talks about memories inscribed in everyday objects and urban modernity hidden behind the story.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
