Abstract
For the past seven years, Iran has been in the grip of a literary event. A novel, Bamdad-i khumar (The Morning After), written by a hitherto unknown woman, Fattanah Hajj Sayyidjavadi, (b. 1945), became an overnight best-seller and has so remained. From the start, the book has generated heated debates over its literary and socio-cultural merits. Most critics and readers have very strong opinions about the novel. One reader, another first-time writer, was so deeply angered by what she considered to be the novel's exaggerated female-centeredness and its unfairness to men that she decided to rewrite the novel through the voice of its male anti-hero.
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