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Previous articleNext article No AccessThe Modernist Paradigm: The Artworld and Thomas KuhnCaroline A. JonesCaroline A. Jones Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 26, Number 3Spring, 2000 Article DOIhttps://doi.org/10.1086/448976 Views: 50Total views on this site Citations: 6Citations are reported from Crossref Copyright 2000 The University of ChicagoPDF download Crossref reports the following articles citing this article: Bibliographie, (Nov 2020): 187–196.https://doi.org/10.3917/puv.renon.2020.01.0187J. C. Pinto de Oliveira Thomas Kuhn, the Image of Science and the Image of Art: The First Manuscript of Structure, Perspectives on Science 25, no.66 (Dec 2017): 746–765.https://doi.org/10.1162/POSC_a_00264Alison Green, Joanne Morra Introduction: 50 Years of ‘Art and Objecthood’: Traces, Impact, Critique, Journal of Visual Culture 16, no.11 (Apr 2017): 3–11.https://doi.org/10.1177/1470412917700613Vasso Kindi Novelty and Revolution in Art and Science: The Connection between Kuhn and Cavell, Perspectives on Science 18, no.33 (Sep 2010): 284–310.https://doi.org/10.1162/POSC_a_00011Ann Grafstein A discipline-based approach to information literacy, The Journal of Academic Librarianship 28, no.44 (Jul 2002): 197–204.https://doi.org/10.1016/S0099-1333(02)00283-5 Bibliography, (): 215–230.https://doi.org/10.1215/9780822374121-009
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