Abstract
Le Corbusier's project for the Congress Hall for the city of Strasbourg between 1962 and 1965 has a relatively discreet place in historiography. However, it is frequently presented as a synthesis that skilfully blends the archaism of the rough finishes with the new machinist features of the 1960s. The evolution of the last design phases shows how the spectacular and event-based dimensions largely take precedence over the usual practices of the rue de Sèvres workshop.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
