Abstract
We try to see the bowl from multiple sides, including the religious ritual and the performance of the strange and heroic Maggie, her settings of the scene(s), and of the bowl as the container of its own history. Among the many readings those by Stephen Spender and F. O. Mathiessen seem the most masterful, dealing with the repetitions of re-perusal, re-reading. and representation as renewal, as well as the bisexual nature of the text and its own performance. The great gays read one of their own brilliantly.
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