Abstract

Names of characters in literature are frequently used as dense signifiers, conveying messages from author to reader beyond identifying an individual, and offering clues about the character’s destiny or how storylines may develop. This paper explores how the potential semantic connections evoked by names in Old Testament literature are exploited by Hebrew narrators as they craft their stories, contributing to characterization, plot structure, leitworter and dramatic irony. For example, Laban (‘white’) is caught up in trickery with white goats and white sticks, whereas Micah (‘who is like Yahweh’) has an idol in his house. Bible translators working with spoken languages tend to transliterate (rather than translate) these names, relegating any semantic connections to a footnote. Sign languages, however, are more iconic and often naturally use name signs that evoke something about the referent, rather than just an arbitrary collection of sounds. This opens up the possibility of maintaining some of the semantic connections and literary features of Hebrew narratives when creating Scripture-based products in sign languages. This paper investigates the opportunities and limitations of such a strategy for translating biblical names.

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